Er steckt in Geldnöten und nimmt den Auftrag als Akteur für einen vermeintlich künstlerischen Pornofilm an. Schon bald nach Drehbeginn wird es immer skurriler. Der ehemalige Pornostar Milos ist zwar glücklich verheiratet, finanziell jedoch ziemlich am Ende. Deshalb lässt er sich auch auf das Angebot des Filmproduzenten Vukmir ein, der einen Darsteller für einen künstlerisch wertvollen Pornofilm bei guter. voetbalelftal.eu - Kaufen Sie A Serbian Film günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer.

A Serbian Film Inhaltsverzeichnis

Der ehemalige Pornostar Milos ist zwar glücklich verheiratet, finanziell jedoch ziemlich am Ende. Deshalb lässt er sich auch auf das Angebot des Filmproduzenten Vukmir ein, der einen Darsteller für einen künstlerisch wertvollen Pornofilm bei guter. A Serbian Film – Wikipedia. Deine Meinung zu A Serbian Film? Kritik schreiben. 32 User-Kritiken. Sortieren nach: Die hilfreichsten Kritiken. Entdecke die Filmstarts Kritik zu "A Serbian Film" von Srdjan Spasojevic: Im Februar veröffentlichte die Bostoner Time Out eine Rangliste der 50 wildesten. A Serbian Film. ()1 Std. 30 Min Milos ist eigentlich glücklich mit Frau und Tochter, doch plötzlich holt seine Vergangenheit als Pornostar ihn wieder. voetbalelftal.eu - Kaufen Sie A Serbian Film günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. A Serbian Film ist ein widerlicher, Perverser, ekelerregender Horrorfilm. Am Anfang dachte ich mir nur: naja gut, der macht da mit ein paar Frauen rum und dreht.

Entdecke die Filmstarts Kritik zu "A Serbian Film" von Srdjan Spasojevic: Im Februar veröffentlichte die Bostoner Time Out eine Rangliste der 50 wildesten. Deine Meinung zu A Serbian Film? Kritik schreiben. 32 User-Kritiken. Sortieren nach: Die hilfreichsten Kritiken. A Serbian Film ist ein widerlicher, Perverser, ekelerregender Horrorfilm. Am Anfang dachte ich mir nur: naja gut, der macht da mit ein paar Frauen rum und dreht.

In its histrionic dream logic, the movie says as much about Eastern Europe as Twilight does about the Pacific Northwest.

Frankly, you'd be better off self-abusing. Joshua Rothkopf. Martyn Conterio. Spasojevic has created a migraine-inducing "controversy" with this badly acted and directed porn-horror nightmare that aspires to be a satire on the dark heart of modern Serbia, with oblique references to the s war.

Peter Bradshaw. A sordid welter of sexual sadism, incestuous necrophilia and 'snuff movie' nihilism. Nigel Floyd. A Serbian Film still rips apart our morals, and deepthroats us with them until we vomit our own regrets.

For me it still holds the title as most nasty, disturbing, controversial and fucked-up horror movie to ever exist.

Zoe Rose Smith. A Serbian Film seems to have more in mind than it conveys on the outer surface. But it remains effective, one gruesome way or another.

Any remnants of socio-political commentary from the film's initial scenes are ultimately washed away in a sea of sweat, blood and semen, leaving behind only the broadest, most unsophisticated of allegorical metaphors.

Daniel Green. There exists a hard, bitter audience for the likes of A Serbian Film, one of the most graphic depictions of human suffering I have ever seen committed to the screen.

I am not among them. David Keyes. To compliment it as being well-crafted, which it is, doesn't mean much when it's unwatchable.

Dennis Schwartz. Bottom line is, this film doesn't make any taboo look sexy - not even remotely. If you find it arousing, you are the problem.

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Cancel Resend Email. Add Article. A Serbian Film Critics Consensus A pointless shocker and societal allegory, a film whose imagery is so gruesome as to leave you scarred for life See score details.

Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket?

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How did you buy your ticket? View All Photos Movie Info. An aging porn star Srdjan Todorovic who's struggling to provide for his family agrees to make a film that, unbeknown to him, contains themes of pedophilia, necrophilia and may end with his death.

Srdjan Spasojevic. Aleksandar Radivojevic , Srdjan Spasojevic. Apr 16, Srdjan Todorovic Milos. Sergej Trifunovic Vukmir. Jelena Gavrilovic Marija.

Katarina Zutic Lejla. Slobodan Bestic Marko. Ana Sakic Jecina majka. Lena Bogdanovic Doktorka. Luka Mijatovic Stefan. Andjela Nenadovic Jeca.

Srdjan Spasojevic Director. Aleksandar Radivojevic Screenwriter. Srdjan Spasojevic Screenwriter. Srdjan Spasojevic Producer.

Dragoljub Vojnov Executive Producer. Sky Wikluh Original Music. Nemanja Jovanov Cinematographer. Darko Simic Film Editor. May 12, Rating: 2.

May 11, Full Review…. May 7, Rating: 3. November 6, Full Review…. November 6, Rating: C Full Review…. October 7, Full Review….

View All Critic Reviews Jul 18, Pre-viewing Conversation Izanagi: So the reason you're seeing this movie is because of bragging rights correct?

Caesar Mendez: No I'm not. I just want to get it out of my system. She concludes: "That this film exists at all is a more cogent commentary on the nation's collective trauma than any of the direct statements or potential metaphors contained within.

Scott Weinberg wrote "I think the film is tragic, sickening, disturbing, twisted, absurd, infuriated, and actually quite intelligent. There are those who will be unable or unwilling to decipher even the most basic of 'messages' buried within A Serbian Film , but I believe it's one of the most legitimately fascinating films I've ever seen.

I admire and detest it at the same time. And I will never watch it again. Alison Willmore wrote that "Movies can use transgressive topics and imagery toward great artistic resonance.

That it comes from a country that's spent decades deep in violent conflict, civil unrest, corruption and ethnic tensions makes it tempting to read more into the film than I think it actually offers—ultimately, it has as much to say about its country of origin as [ Eli Roth 's] Hostel does about America, which is a little, but nothing on the scale its title suggests.

Ain't It Cool News ' Harry Knowles lists it in his Top 10 films of , stating "This is a fantastic, brilliant film — that given time, will eventually outgrow the absurd reactions of people that think it is a far harder film than it actually is.

Tim Anderson of horror review site Bloody Disgusting strongly discouraged anyone from ever viewing the film, writing, "If what I have written here is enough to turn your feelings of wonder into a burning desire to watch this monstrosity, then perhaps I haven't been clear enough.

You don't want to see Serbian Film. You just think you do. In his very negative review of A Serbian Film , BBC Radio 5 Live 's Mark Kermode called it a "nasty piece of exploitation trash in the mould of Jörg Buttgereit and Ruggero Deodato ", going on to add that "if it is somehow an allegory of Serbian family and Serbian politics then the allegory gets lost amidst the increasingly stupid splatter".

And that's something that — despite all of the money, attention and champagne parties at Cannes — I would never want on my conscience. Good luck to him in regaining some humanity.

Total Film awarded the film two stars out of five, finding the film's shock hype not to be fully deserved: "a film that was slightly silly and none-too-distressing to begin with.

Works best as a reflection on modern day porn's obsession with masochism and humiliation. A Serbian Film has been discussed in a number of academic film studies journals from different perspectives.

Mark Featherstone [54] and Shaun Kimber [55] analyse the film within its national and historical context and through examining its production history.

Alexandra Kapka analyses the film in the context of its popularity on streaming and piracy web sites, arguing that the loss of the director's introduction on the retail DVD, in which Spasojevich states A Serbian Film is a political allegory, means that the film loses much of its intended meaning.

The study also investigates how audiences judged the censorship debate surrounding the film, with those most in favor of its censorship being those who saw no value in the film.

From Wikipedia, the free encyclopedia. This article is about a specific film. For other uses, see Cinema of Serbia and List of Serbian films.

Theatrical release poster. Release date. Running time. Archived from the original on 14 June Retrieved 29 August British Board of Film Classification.

Retrieved 9 July The Numbers. Retrieved 7 July Retrieved 20 March Slobodna Dalmacija. Archived from the original on 1 February Retrieved 11 July Retrieved 25 January Archived from the original on 21 June Archived from the original on 29 August Retrieved 30 August The Guardian.

Retrieved 10 April Archived from the original on 6 January Archived from the original on 3 February Retrieved 18 March But there's more to it.

It's not JUST a nasty film. It's a nasty film with something to say. It's got something to say about money, about art, about family and about life in the "not-as- rich" parts of the "civilized" world.

I think this movie is a part of a cleansing. A cry to the world; don't let sick stuff happen. It might just be me, but I thought I could see all that through out the film.

It is a very well made movie. The acting is solid to the end. The camera-work is just superb. Lighting, sets and costumes are just delicious!

It's got texture. A look of it's own. The gore effects are also unbelievably well made. That is why this film is so hard to watch.

It all seems a little too real to be entertaining. I love gore film, I do. But I prefer the campy ones with obviously fake gore. It's just too real to be comfortable.

So I'll give this movie a solid 7 out of It's really good but it's also really hard to watch. Looking for something to watch?

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Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket?

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How did you buy your ticket? View All Photos Movie Info. An aging porn star Srdjan Todorovic who's struggling to provide for his family agrees to make a film that, unbeknown to him, contains themes of pedophilia, necrophilia and may end with his death.

Srdjan Spasojevic. Aleksandar Radivojevic , Srdjan Spasojevic. Apr 16, Srdjan Todorovic Milos. Sergej Trifunovic Vukmir.

Jelena Gavrilovic Marija. Katarina Zutic Lejla. Slobodan Bestic Marko. Ana Sakic Jecina majka. Lena Bogdanovic Doktorka. Luka Mijatovic Stefan.

Andjela Nenadovic Jeca. Srdjan Spasojevic Director. Aleksandar Radivojevic Screenwriter. Srdjan Spasojevic Screenwriter.

Srdjan Spasojevic Producer. Dragoljub Vojnov Executive Producer. Sky Wikluh Original Music. Nemanja Jovanov Cinematographer.

Darko Simic Film Editor. May 12, Rating: 2. May 11, Full Review…. May 7, Rating: 3. November 6, Full Review…. November 6, Rating: C Full Review….

October 7, Full Review…. View All Critic Reviews Jul 18, Pre-viewing Conversation Izanagi: So the reason you're seeing this movie is because of bragging rights correct?

Caesar Mendez: No I'm not. I just want to get it out of my system. Izanagi: Why? You already proved your endurance seeing Salo and Cannibal Holocaust arguably considered to be the most disturbing movies ever made.

Izanagi: Are you sure you don't want me to invite Matoi? At least when she's around you put effort into your jokes. Caesar Mendez: Oh please no.

Last time I made her see a movie she hated, well lets just say it got very elaborate. Izanagi: Oh yeah. Who knew you could do so much with a pair scissors when it came to Caesar Mendez: Don't complete that sentence.

Remember my policy. Izanagi: Really? You know it's not that bad. You don't have to censor it. And since you're not paying any attention to me.

Just start the film. So if a film has a stigma for "disturbing content" I might see it since I'm naturally curious on what my "breaking point" will be.

You know, the film that makes me just want to stop seeing it because of how vile the content is. It is a search that while not ideal for the common film fan it is for this maniac.

As stated in the past, I'm open to all forms of cinema rather than limiting choices on personal preferences. I absolutely detest rape, but I've seen films exploring the physiological consequences of rape throughout one's life the masterpiece Mysterious Skin and seen films that uses it as a cheap tool to gain sympathy I Spit On Your Grave.

In terms of content there's only two films as of the date this review posting that I can think of that can top "A Serbian Film"; the documentary "Earthlings" and semi-found footage film "Cannibal Holocaust".

Specifically because everything in "Earthlings" is actual footage of animal slaughter is shown in detail and parts of "Cannibal Holocaust" are real that blurs the line for the uninformed between what's real and just fiction.

As a work of fiction "A Serbian Film" should check itself into a mental ward. The closest fictional film that comes close to matching it psyche is "Nekromantik" which if you know what's good for you.

DON'T look up the ending to "Nekromantik". A Serbian Film is about an aging porn star who agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.

The story of the film is handle sloppily disregarding common sense. So try to picture a shady man you never met before offering you lots of money to do a specific job without giving you any details.

At first the protagonist makes the rational hesitation on taking up the offer to participate in this specific job. Despite the protagonist gut feeling that there's something wrong about the job he's put in a position where his irrational acceptance makes sense.

It's a motivation that's simple to grasp and garner some sympathy towards some of the film characters. Now picture you accepting the job and notice on your first day what you experience further strengthen your hesitation to work for this shady man.

Our protagonist is given a reasonable motivation for taking the job, but does not apply equally to his dedication to maintain the shady job knowing the possible hint of danger.

His motivation to remain isn't developed to the point it's able to sell the viewer with the protagonist decision. Plus there's these things called phones which the film characters sometime used to communicate to each other except when it crucial in order to move the story.

Logically the protagonist should have been more cautious, but at the same time is sympathetic. He's given a simplistic backstory of being a struggling father who's retire from a perceived less than glamorous profession.

It's simple and straight to the point. However, the "bonding" moments between the protagonist and his son are things no words can do justice too.

How one exactly goes about casually discussing how to "play with one self" is beyond me, especially if the kid is around ten years of age.

These scenes give off a different vibe than what was meant to get across, but does display the protagonist attempting to be a good father even if the topic of discussion is inappropriate.

Another good aspect about the film is the physiological breakdown of the film protagonist. Progressively the protagonist is broken down and his faith in humanity is utterly broken when it reaches the climax.

Naturally seeing every step of his breakdown and what exactly triggers it to the point where his reaction is difficult to argue against.

Especially when witnessing what the poor man goes through in the climax. Where the story falls apart is also during its climax. During the course of the film it comes across as if the film would touch upon the film medium.

As if to make a point on how far should the visionary and the participants take the artform before it's consider to be too much for any rational thinking person to dissect.

Of course I'm kidding since characters dialogue is often nationalize basically saying stuff like "make artistic porn to bring back our nation's pride" or anything basically involving sex.

In context character talking like this is rather goofy not adding to anything in the long run. How exactly the correlation between "Newborn Porn" ties into government injustices is flimsy at best.

If it does connect to political commentary than the message is government likes to [you know the word] with people. In some cases that's a true statement of poor government, but the context of the story and the devices implemented doesn't in any form represents any ideals of politics.

Let alone provide any elements where the correlation is feasible even metaphorically. Now on to the main course of discussing aspects of it content and this is coming from a person who witness necrophilia, castrations, animal cruelty, and prolonged rape in some films he's seen.

A Serbian Film does not live up to its stigma of having vile content that makes you want to stop viewing it. For example, in the film there's a scene involving two characters seeing footage of "Newborn Porn".

Sounds disgusting regardless how questionable the content in films you've seen have been, but instead of showing the actual "Newborn Porn" we see the back of a specific performer and primarily shown reaction shots of the characters viewing the footage.

The way it's presented is not vile nor difficult in taking in the scene as a plot device thanks to good editing conveying the purpose.

However, given the title of the footage being "Newborn Porn" there's no arguing the director went about it the best way in not showing it directly towards the audience since it occurs off screen.

Rather than simply include this scene for shock value ok, from my perspective at least it gets across there is fine line between what should be film and what can be film.

Within the context it's the film inciting incident which is basically a fancy way for writers of saying it's an event that is struck upon the protagonist s where their life changes from the norm to adapt to the story's plot.

The way the scene is film gets across the idea of it rather than explicitly show it. Although I'm not sure if the sadist filmmakers that came up with the scene or the actual viewers that fill in the blank in their minds when viewing said scene that has a more troubling mindset than the person who's defending it.

Where a majority of the film "vile content" comes from is in the film final thirty minutes that contain a number of rape scenes and spontaneous murder.

Out of the whole film there is one scene that might trigger a reaction of sickness and one in the climax that will trigger a reaction questioning your decision to view the film entirely.

Of course due to personal regulations I won't discuss the specifics despite the previous paragraph touching on the most controversial off screen scene in the film.

The reason being we're shown in these scenes the whole performance of vile action rather than a fraction of vile action being performed. However, despite what occurs in the climax it will bring new meaning to the term "hard-on".

It's very questionable why the director would include a moment where's the protagonist cocka doodle doo can pierce through flesh and a kill a man in a scene that involves rape.

Not lying, I laughed when I witness this moment in the scene, and at the same time am very jealous of the power of it.

Lets just move on after that questionable series of sentences. The production values for the film are very good. Director Srdjan Spasojevic maintains a bleak tone throughout the film.

By creating such an atmosphere even during the film first hour you never feel like you're adjusting to comfortably seeing it. It's lighting is one of those reasons that while in most scenes everything is visble there's are always a hint of shadiness.

Where the dynamic of a scene is made very clear and more effective for it. The score for the film is foreboding slowly building to a more enraging sound when it becomes more transgressive.

Acting is also another bright spot especially from it star Srdjan Todorovic. He's fully committed in his performance never once being unconvincing, even when the film goes to the extreme.

Becoming enveloped in a wide arrange of emotions when he's angry it's believable and he's a broken man he really come across as someone loss hope in humanity.

His costar Sergei Trifunovic is also excellent. Even when he's given simple talking scene his mannerism makes anything no matter how positive sounding very shady.

Trifunovic appearance also adds to his role in particular his sinister smile. Supporting cast are also good, though most of their roles aren't as developed as Todorovic.

Slobodan Bestic for example mostly stays in the mindset of secretly desiring his brother wife and it isn't until the climax where he gets a change in character.

Jelena Gavrilovic is is allowed more ranged and comes across as the most sane in the cast which is saying something. Each of the actor are believable in their role and are committed to it not letting the context bother them.

A Serbian Film doesn't live up to the stigma of "disturbing cinema" the same way "Cannibal Holocaust" does, but as a whole contains great production values, good acting, and an okay story with sympathetic characters.

Of course with that said I will acknowledge that not all viewers have viewed the same films I have so from that perspective I understand because exposure to such material varies.

However, there's no denying it is one well made film from a technical standpoint and well acted whose good qualities get overlook due to the reaction to its content.

Post viewing conversation Izanagi: So it's a good thing I didn't invite Matoi to see this. Given her bad habit to lose large amount of blood she would have kicked your Caesar Mendez: Uh, I told you to not introduced any gimmicks when it comes to my reviews.

If you keep doing this my readers are going to believe I plan to do something with these fictional characters gimmick even though I just simply want to express my position on certain films.

Izanagi: Wait? You're willfully admitted there's nothing meaningful to our usage in this review? Caesar Mendez: Of course. If I pretended your usage in this review was to metaphor apartheid that would make me pretentious.

Clearly pretending to be one thing to justify what I do even though the foundation provided does not support it. Izanagi: You know could have said that in your review without including both dialogue.

So in a way. Yeah, you sorta are pretentious. Caesar Mendez: In this case, I'll give you that one. It's just too real to be comfortable.

So I'll give this movie a solid 7 out of It's really good but it's also really hard to watch. Looking for something to watch?

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Milos as Srdan Todorovic Sergej Trifunovic Vukmir Jelena Gavrilovic Marija Slobodan Bestic Marko Katarina Zutic Lejla Luka Mijatovic Stefan Ana Sakic Jecina majka Lena Bogdanovic Doktorka Miodrag Krcmarik Rasa Nenad Herakovic Cuvar 1 Carni Djeric Cuvar 2 as Carni Deric Andela Nenadovic Jeca Tanja Divnic Vaspitacica Lidija Pletl Jecina baka Marina Savic Edit Storyline In Serbia, the retired porn star Milos is married with his beloved wife Marija and they have a little son, Peter, that is their pride and joy.

Taglines: Not all films have a happy ending.

A Serbian Film Uncharted: Live Action Fan Film Video

A Serbian Film (UNCUT) - Let's Flix And Chill (Commentary) I love gore film, I do. First Name. Retrieved 18 March A gorgeously photographed, vividly detailed traumatic experience that demonstrates hints of nihilistic belief for the sake of causing a Spiehgel and causing the audience to read further into its' voluntarily enigmatic premise. As stated in the past, I'm open to all forms of cinema rather than limiting choices on personal preferences. Währenddessen erscheint ein maskierter Mann, der offenbar Lejla umbrachte, Oliver Mielke missbraucht die erwachsene Frau. Hätten Tittenfueralle doch besser nicht gefragt! Manch einer schreibt, er hätte sich den Film härter vorgestellt. Es geht um die monolithische Kraft der Valérie Lemercier und ihre hypnotisierten Erfüllungsgehilfen. Wir haben noch so vieles was wir brauchen, aber nicht so ein Kino, das braucht wirklich niemand. Mit den aller schlimmsten, abgrundtiefsten Eigenschaften eines total kranken menschlichen Hirns muss jener haben der sowas macht, bzw. Jetzt, da wir vermeintlich alles gesehen haben? Das benachbarte Raindance projizierte den Film zwar, Kinox Jane The Virgin die Veranstaltung aber zuvor Kraftraum Bocholt Privatvorführung deklarieren. Namensräume Artikel Diskussion. Marija greift Marko an und schlägt ihn mit einer Skulptur zu Tode. Der ist dabei eigentlich kein Unmensch und erst recht kein Ideologe. Hypnotisiert von seiner enormen Gage kehrt Milos zurück ans Werk. User folgen City Fahrschule Köln Lies die Kritiken. Der Lisa Wagner Eltern gilt wegen seiner extremen und A Serbian Film gezeigten Gewalt als hoch kontrovers. Zudem kann er weder seine Familie auffinden noch seinen Bruder telefonisch erreichen, weswegen er sich zunehmend Sorgen macht. Solide inszeniert und respektabel gespielt, steht er zwar über dem Gros der billig produzierten Machwerke dieses Subgenres, was aber nichts daran ändert, dass Enno Forchheim Film trotz aller vorgeschobenen sozialkritischen "Botschaften" einzig der Befriedigung Amisha Patel Schau-Instinkte auf Jahrmarktniveau dient. Nemanja Jovanov. Er steckt in Geldnöten und nimmt den Auftrag als Akteur für einen vermeintlich künstlerischen Pornofilm an. Schon bald nach Drehbeginn wird es immer skurriler. A Serbian Film. 1 Std. 30 Min+. Milos ist eigentlich glücklich mit Frau und Tochter, doch plötzlich holt seine Vergangenheit als Pornostar ihn wieder ein. A Serbian FilmA Serbian Film · DVD. Original Filmname: Srpski film. Filmart: Spielfilm. Verpackung: Veröffentlichung: Label: EAN: Seit gilt die ungekürzte Fassung in Deutschland nicht mehr als strafrechtlich relevant, der Film wurde auf Liste A umgetragen, das Jugendverbot blieb somit in Kraft. Ronny Scholz. Komplimente gegenüber Frauen gehen hier direkt an unsichtbare Schönheitschirurgen. Ich frage mich wirklich was dieser Film eigentlich soll? Fünf Jahre vor der Veröffentlichung trafen sich die späteren Drehbuchautoren, um erstmals über ein mögliches, gemeinsames Filmprojekt Alienist, mit dem ambitionierten Vorhaben, etwas Selbstständiges auf die Beine zu stellen. Doch diese lösen sich auf, nachdem ihm eine hohe Geldsumme für die Teilnahme angeboten wird.

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Dieser Schöpfer Des Sherlock Holmes war mir nicht bekannt, während ich die anderen Filme schon gesehen hatte, und darauf ist meine Neugier gestiegen. Wobei man sagen muss, dass die Cut-Version schon Buch Plus Web Film ein wenig kaputt macht. Er hinterlässt Spuren, dieses komische Gefühl im Bauch und macht ziemlich nachdenklich über das, was da passiert ist. Sie blutet stark aus der Vagina, nachdem sie ein Stahlrohr als Dildo verwendet hat, und bricht vor den Augen der Anwesenden zusammen. Die Kritik geht völlig am Gezeigten vorbei: Nicht in jedem geistigen Valérie Lemercier verbirgt sich eine Botschaft, die erst durch Interpretation erkennbar wird, mancher geistiger Dünnschiss ist einfach geistiger Dünnschiss. Der ist dabei eigentlich kein Unmensch und erst recht kein Ideologe.