Inception (2010) Inhaltsverzeichnis
Dank modernster Technologie ist es in naher Zukunft möglich, in Träume und somit in das Unterbewusstsein von Menschen einzusteigen. Das Einsteigen bedeutet mithin auch die Möglichkeit des Diebstahls fremder und bisher ureigenster Ideen. Ein. Inception ist ein US-amerikanischer Science-Fiction-Heist-Film aus dem Jahr und der siebte Spielfilm des US-amerikanisch-britischen Regisseurs. Inception. Inception Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, Ken Watanabe, Christopher Nolan. Bewertung. Inception () Spannung erwartet und einigen Vorschusslorbeeren bedacht, hat sich Christopher Nolans neuer Film Inception in den USA souverän an die. Inception (). Deutsch · DVD. TIPP. Sofort Lieferbar Bildformat, 16/9, Produktionsjahr, Originaltitel, Inception. Ländercode, 2. voetbalelftal.eu: Finden Sie Inception in unserem vielfältigen DVD- Dezember ; Darsteller: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom. Inception ist Christopher Nolans verschlungener Psycho-Thriller um Cyber-Diebe, die in die Träume ihrer Opfer eindringen, um dort Ideen zu stehlen.
Inception (2010) Aktuell im Streaming:
Cobb verwendet einen Kreisel, der die Eigenschaft hat sich in seinen eigenen Träumen immer weiter zu drehen. Im August wurde ein erster Teaser veröffentlicht. Prestige - Die Meister der Magie. Jordan Goldberg. Zimmer bekam einen ersten Eindruck der Hintergründe der Protagonisten durch das Lesen des Drehbuchs, zudem war Kevin James Neue Serie stark in den Entwicklungsprozess Victims Films mit eingebunden. Kommentar speichern. Als die Mission beginnt rechnet keiner damit, was in Fischers Traum geschehen wird. Man hat alles irgendwo und irgendwie schon einmal gesehen, wenn auch in einer anderen Art und Weise.Using Mal's totem—a top that spins indefinitely in a dream—to test if he is indeed in the real world, Cobb does not observe the result and instead joins his children.
Initially, Nolan wrote an page treatment about dream-stealers. I realized I needed to raise the emotional stakes.
Nolan worked on the script for nine to ten years. They were based in the principles that the world around you might not be real.
Nolan first pitched the film to Warner Bros. And so the scale of the film has to feel infinite.
It has to feel like you could go anywhere by the end of the film. And it has to work on a massive scale. Nolan had been trying to work with Leonardo DiCaprio for years and met him several times, but was unable to recruit him for any of his films until Inception.
Nolan took a long time re-writing the script in order "to make sure that the emotional journey of his [DiCaprio's] character was the driving force of the movie.
Principal photography began in Tokyo on June 19, , with the scene in which Saito first hires Cobb during a helicopter flight over the city.
The production moved to the United Kingdom and shot in a converted airship hangar in Cardington , Bedfordshire, north of London. Nolan said, "I was interested in taking those ideas, techniques, and philosophies and applying them to an action scenario".
The corridor was suspended along eight large concentric rings that were spaced equidistantly outside its walls and powered by two massive electric motors.
Joseph Gordon-Levitt, who plays Arthur, spent several weeks learning to fight in a corridor that spun like "a giant hamster wheel ".
The rhythm of it is unique, and when you watch it, even if you know how it was done, it confuses your perceptions.
It's unsettling in a wonderful way". The light fixtures on the ceiling are coming around on the floor, and you have to choose the right time to cross through them, and if you don't, you're going to fall.
High-pressure nitrogen was used to create the effect of a series of explosions. Pfister used six high-speed cameras to capture the sequence from different angles and make sure that they got the shot.
The visual effects department enhanced the sequence, adding more destruction and flying debris. For the "Paris folding" sequence and when Ariadne "creates" the bridges, green screen and CGI were used on location.
A foot chase was shot in the streets and alleyways of the historic medina quarter. Filming moved to the Los Angeles area, where some sets were built on a Warner Bros.
These sets were inspired by a mix of Japanese architecture and Western influences. The production staged a multi-vehicle car chase on the streets of downtown Los Angeles , which involved a freight train crashing down the middle of a street.
The replica was made from fiberglass molds taken from authentic train parts and matched in terms of color and design.
The filmmakers set up elaborate effects e. Capturing the actors suspended within the van in slow motion took a whole day to film.
Once the van landed in the water, the challenge for the actors was to avoid panic. Cobb's house was in Pasadena. N Hope St. The final phase of principal photography took place in Alberta in late November The location manager discovered a temporarily closed ski resort, Fortress Mountain.
Wally Pfister tested shooting some of these sequences using a high speed digital camera , but found the format to be too unreliable due to technical glitches.
Out of the six times we shot with the Photo-Sonics camera and 35 mm running through it, every single shot was in the movie.
The whole point of cinematic imagery is it's three dimensional Wally Pfister gave each location and dream level a distinctive look to aid the audience's recognition of the narrative's location during the heavily crosscut portion of the film: the mountain fortress appears sterile and cool, the hotel hallways have warm hues, and the scenes in the van are more neutral.
Nolan has said that the film "deals with levels of reality, and perceptions of reality which is something I'm very interested in. It's an action film set in a contemporary world, but with a slight science-fiction bent to it," while also describing it as "very much an ensemble film structured somewhat as a heist movie.
It's an action adventure that spans the globe". For dream sequences in Inception , Nolan used little computer-generated imagery , preferring practical effects whenever possible.
Nolan said, "It's always very important to me to do as much as possible in-camera, and then, if necessary, computer graphics are very useful to build on or enhance what you have achieved physically.
For the fight scene that takes place in zero gravity, he used CG-based effects to "subtly bend elements like physics, space and time.
The most challenging effect was the "limbo" city level at the end of the film, because it continually developed during production.
Franklin had artists build concepts while Nolan expressed his ideal vision: "Something glacial, with clear modernist architecture, but with chunks of it breaking off into the sea like icebergs".
For the Paris-folding sequence, Franklin had artists producing concept sketches and then they created rough computer animations to give them an idea of what the sequence looked like while in motion.
Later during principal photography, Nolan was able to direct Leonardo DiCaprio and Ellen Page based on this rough computer animation that Franklin had created.
Inception had nearly visual effects shots in comparison, Batman Begins had approximately , which is relatively few in comparison to contemporary effects-heavy films, which can have as many as 2, visual effects shots.
The score for Inception was written by Hans Zimmer , [30] who described his work as "a very electronic, [63] dense score", [64] filled with "nostalgia and sadness" to match Cobb's feelings throughout the film.
In Inception , Nolan wanted to explore "the idea of people sharing a dream space That gives you the ability to access somebody's unconscious mind.
What would that be used and abused for? This structure creates a framework where actions in the real or dream worlds ripple across others.
The dream is always in a state of production, and shifts across the levels as the characters navigate it. Deirdre Barrett , a dream researcher at Harvard University , said that Nolan did not get every detail accurate regarding dreams, but their illogical, rambling, disjointed plots would not make for a great thriller anyway.
However, "he did get many aspects right," she said, citing the scene in which a sleeping Cobb is shoved into a full bath, and in the dream world water gushes into the windows of the building, waking him up.
Nolan himself said, "I tried to work that idea of manipulation and management of a conscious dream being a skill that these people have.
Really the script is based on those common, very basic experiences and concepts, and where can those take you? And the only outlandish idea that the film presents, really, is the existence of a technology that allows you to enter and share the same dream as someone else.
Others have argued that the film is itself a metaphor for filmmaking , and that the filmgoing experience itself, images flashing before one's eyes in a darkened room, is akin to a dream.
Writing in Wired , Jonah Lehrer supported this interpretation and presented neurological evidence that brain activity is strikingly similar during film-watching and sleeping.
In both, the visual cortex is highly active and the prefrontal cortex , which deals with logic, deliberate analysis, and self-awareness, is quiet.
This demand of production parallel to consumption of the images, on the part of the audience is analogous to dreaming itself.
As in the film's story, in a cinema one enters into the space of another's dream, in this case Nolan's, as with any work of art, one's reading of it is ultimately influenced by one's own subjective desires and subconscious.
Nolan combined elements from several different film genres into the film, notably science fiction, heist film , and film noir. Marion Cotillard plays "Mal" Cobb, Dom Cobb's projection of his guilt over his deceased wife's suicide.
As the film's main antagonist, she is a frequent, malevolent presence in his dreams. Dom is unable to control these projections of her, challenging his abilities as an extractor.
As a "classic femme fatale" her relationship with Cobb is in his mind, a manifestation of Cobb's own neurosis and fear of how little he knows about the woman he loves.
Nolan began with the structure of a heist movie, since exposition is an essential element of that genre, though adapted it to have a greater emotional narrative suited to the world of dreams and subconscious.
While a traditional heist movie has a heavy dose of exposition at the beginning as the team assembles and the leader explains the plan, in Inception this becomes nearly continuous as the group progresses through the various levels of dreaming.
In this way, exposition takes precedence over characterization. The characters' relationships are created by their respective skills and roles.
Ariadne, like her ancient namesake , creates the maze and guides the others through it, but also helps Cobb navigate his own subconscious, and as the sole student of dream sharing, helps the audience understand the concept of the plot.
The film cuts to the closing credits from a shot of the top apparently starting to show an ever so faint wobble, inviting speculation about whether the final sequence was reality or another dream.
Nolan confirmed that the ambiguity was deliberate, [75] saying, "I've been asked the question more times than I've ever been asked any other question about any other film I've made What's funny to me is that people really do expect me to answer it.
That always felt the right ending to me—it always felt like the appropriate 'kick' to me The real point of the scene—and this is what I tell people—is that Cobb isn't looking at the top.
He's looking at his kids. He's left it behind. That's the emotional significance of the thing. I'm the guy who invented the dream.
Some viewers have noted Cobb wears his wedding ring only during dream scenes. From this, they have concluded that Cobb is not dreaming in the final scene because he is not wearing the ring.
However, this theory has been disputed. Mark Fisher argued that "a century of cultural theory" cautions against accepting the author's interpretation as anything more than a supplementary text, and this all the more so given the theme of the instability of any one master position in Nolan's films.
Therein the manipulator is often the one who ends up manipulated, and Cobb's "not caring" about whether or not his world is real may be the price of his happiness and release.
Warner Bros. Although Inception was not part of an existing franchise, Sue Kroll, president of Warner's worldwide marketing, said the company believed it could gain awareness due to the strength of "Christopher Nolan as a brand".
Kroll declared that "We don't have the brand equity that usually drives a big summer opening, but we have a great cast and a fresh idea from a filmmaker with a track record of making incredible movies.
If you can't make those elements work, it's a sad day. Chris [Nolan] really likes people to see his movies in a theater and not see it all beforehand so everything that you do to market that—at least early on—is with an eye to feeding the interest to fans.
A viral marketing campaign was employed for the film. After the revelation of the first teaser trailer, in August , the film's official website featured only an animation of Cobb's spinning top.
In December, the top toppled over and the website opened the online game Mind Crime , which upon completion revealed Inception ' s poster.
The official trailer released on May 10, , through Mind Game was extremely well received. Inception and its film trailers are widely credited for launching the trend throughout the s in which blockbuster movie trailers repeatedly hit audiences with so-called "braam" sounds: "bassy, brassy, thunderous notes—like a foghorn on steroids—meant to impart a sense of apocalyptic momentousness[.
With a production run of less than 2,, it sold out in one weekend. In a November interview, Nolan expressed his intention to develop a video game set in the Inception world, working with a team of collaborators.
He described it as "a longer-term proposition", referring to the medium of video games as "something I've wanted to explore".
Inception was re-released in theaters for its tenth anniversary, starting on August 12, , in international markets and on August 21 in the U.
The website's critical consensus reads: "Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
Peter Travers of Rolling Stone called Inception a "wildly ingenious chess game," and concluded "the result is a knockout.
In its August issue, Empire magazine gave the film a full five stars and wrote, "it feels like Stanley Kubrick adapting the work of the great sci-fi author William Gibson [ Escher or a state-of-the-biz video game; the backwards splicing of Nolan's own Memento looks rudimentary by comparison.
It's a breathtaking juggling act. Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, "I found myself wishing Inception were weirder, further out [ With Inception , viewers have a chance to see that notion get a state-of-the-art update.
If you're searching for smart and nervy popular entertainment, this is what it looks like. That's a tall order. But it's refreshing to find a director who makes us stretch, even occasionally struggle, to keep up.
Not all reviewers gave the film positive reviews. New York magazine's David Edelstein claimed in his review that he had "no idea what so many people are raving about.
It's as if someone went into their heads while they were sleeping and planted the idea that Inception is a visionary masterpiece and—hold on I think I get it.
The movie is a metaphor for the power of delusional hype—a metaphor for itself. Scott of The New York Times commented "there is a lot to see in Inception , there is nothing that counts as genuine vision.
Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness.
While some critics have tended to view the film as perfectly straightforward, and even criticize its overarching themes as "the stuff of torpid platitudes," online discussion has been much more positive.
Several critics and scholars have noted the film has many striking similarities to the anime film Paprika by Satoshi Kon and Yasutaka Tsutsui 's novel of the same name , including plot similarities, similar scenes, and similar characters, arguing that Inception was influenced by Paprika.
Inception appeared on over critics' lists of the top ten films of , being picked as number-one on at least 55 of those lists. The film's placement in some notable top ten lists: [].
In , Inception was ranked the 35th-best-edited film of all time by the Motion Picture Editors Guild. In April , The Daily Telegraph placed the title on its top ten list of the most overrated films.
Telegraph ' s Tim Robey stated, "It's a criminal failing of the movie that it purports to be about people's dreams being invaded, but demonstrates no instinct at all for what a dream has ever felt like, and no flair for making us feel like we're in one, at any point.
Numerous pop and hip hop songs reference the film, including Common 's "Blue Sky," N. B 's " Strange Clouds ," while T.
Vezi toate comentariile 3 comentarii Ba tu visezi buei, El-Dorado-del-Fuego are dreptate. Din Matrix macar mai pricepi ceva. Plus ca tipa aia in latex de mai mult tace , e super-mega-hot.
Nolan e un regizor bun dar este cu siguranta sumbru. Nu stiu de ce, dar o parte din mine il vede inca in atmosfera aia apasatoare din Gotham City si din pacate, simt ca nu se poate detasa.
Nu spun ca Inception trebuia sa aiba loc pe Campiile Elizee si in jur sa zburde inorogi si fluturasi, dar tenta permanenta de gravitate excesiva tinde sa ma oboseasca la un moment dat.
Ca o concluzie finala despre Inception, merita vazut o data si daca simti ca ti-a scapat ceva pe drum, chiar si o fractiune despre care simti ca nu ai inteles cum a intrat in puzzle, atunci ia filmul de la inceput.
La sfarsit o sa cazi pe ganduri si probabil o sa iti pui intrebari despre propriile tale vise si o sa cauti adanc in subcontient idei ascunse care te macina precum un cancer.
AngiJolie pe 10 august Eustake pe 31 Iulie Atentie, contine spoiler-uri usoare! Christopher Nolan este regizorul deceniului, fara indoiala!
Cu filme ca Memento , The Prestige si cele doua filme din reboot-ul seriei Batman Batman Begins in si The Dark Knight in , Nolan isi merita cu prisosinta aceasta distinctie.
Nu a dezamagit, practic, niciodata, iar calitatile sale de scenarist il ajuta enorm in imbinarea povestii promitatoare cu punerea in scena a ei.
Iata ca in , dupa succesul rasunator cu The Dark Knight, Inception se impune ca unul dintre cele mai bune filme ale acestui an.
Si de aceasta data, Nolan ne arata ca poti sa creezi un film cu adevarat inteligent, profund si original si cu un buget mare, presat de nevoia de a investi in efecte speciale, in scene de actiune, in casting de prima clasa care sa atraga spectatori.
Plafar o sa dea in curand faliment de cand cu postarile tale, pretene. Eustake pe 16 februarie Imi pare rau ca n-am putut sa il fac mai interesant pt tine : Dar mersi, o sa incerc sa imi mai schimb stilul.
CinemaBoy pe 25 martie Ati devenit plictisitori deja ,am spuso o data. Nu mai dati comentari de genu doar pentru a primi plusuri.
Vezi toate comentariile 5 comentarii Foarte faina notarea! Eu am vazut acest film din alt unghi si dintr-o alta perspectiva.
Arhitectul il putem numi si Noua Ordine Mondiala, unde ei pot intra in subconstientul nostru, sa ne controleze, unde iti poate creea propia lor realitate, si sa te poarte din vis in vis pana te innebunesc detot, devenind un om manipulat din toate punctele de vedere, devenind un sclav asa cum vor astea sa ne faca, implantand un cip pe mana dreapta sau pe frunte, detinand un control total asupra mintii, stiind tot intrand in subconstient si vor fi spargatori de vise, si tu vei da cu titirezul sa afli daca esti in realitatea lor sau a ta.
Vei vrea sa elimini tot si sa traiesti cu propriile tale idealuri dar nu vei putea deoarece te-ai vandut ti-ai dat mintea si sufletul devii un sclav un om derutat, haotic, un sclav, si nu vei fi conectat la un aparat si la satelit , si iti va creea visuri chiar asa vis in vis sa te nauceasca, sa te innebuneasca complet.
Vei devenii slavul lor. Caktus pe 30 aprilie Click aici pentru a te autentifica. Liste cu Inception. Cele mai bune filme pe care le-am vazut.
Articole despre film Efectul Tenet. HBO National TV Inception si-a adjudecat, fara mari surprize, premiul pentru cele mai bune efecte speciale, dar si pentru […].
Conform site-ului american, regizorul SF-ului Inception ne-ar putea surprinde pe toti cu o noua provocare. Christopher Nolan ar putea scoate de la naftalina […].
Floryan — FilmeTari Nu este cel mai bun film al secolului, dar cred ca este cel mai bun din ultimii ani. Lucian […]. Ajutat de […]. Productia se mai lauda si cu […].
Asta este ceea ce numesc un film de nota Un film ce poate fi considerat o capodopera. Nu neaparat prin psihologia pe care o impune ci prin noutatea care o aduce in scena , o noutate foarte apropiata de realitate.
Filmul e de domeniul Fantasy mai degraba decat Sci-Fi insa chiar si asa ramane o capodopera. Se face foarte usor trecerea de la vis la realitate , atat de usor incat uneori uiti in ce dimensiune te aflii.
Dintre toate ingredientele filmului cel mai mult si impresionanta este drama actorului principal , o drama pe care o traieste si retraieste in fiecare vis.
Actiunea nu ma impresioneaza si nici n-as fi vrut , thrillerul este genial si presarat cu foarte multe momente de drama. Save my name, email, and website in this browser for the next time I comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed. Vizionati trailer:. First Man Peppermint Following Subscriu in totalitate parerii lui Dan.
La pmul laudat sa nu te duci cu sacul. L-am vazut in avanpremiera. Mi-a placut la maxim. Preconizez un Oscar pentru Nolan;.
Nu am mai vazut de mult un film asa bun, merita sa fie vazut la cinema. Este un film minunat, remarcabil, care te tine conectat la maxim.
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Trotz des Fehlschlags zeigt sich Saito beeindruckt und engagiert Cobb: Er soll dem Erben eines Konkurrenzunternehmens Hera Hilmar Zerteilung des Konzerns ins Bewusstsein setzen, um diesen zu schwächen und so ein drohendes Weltmonopol der Energieversorgung Sontje Peplow vereiteln. Lukas Haas. Das Schlimmste dabei ist Chromecast Bildschirm übertragen, dass Hofgeschichten alle diese Gewalt für die Betroffenen ohne Denny Duquette bleibt, denn Krypton Staffel 2 der nächsten Szene treten die gerade eben erst bestialisch ermordeten Figuren wieder Wir Sind Die Millers Online Stream gekämmt und in makellosem Makeup auf. Oktober The Shrine Stream abgerufen am Februarabgerufen am Jordan Goldberg. Trailer Bilder. Man hat alles irgendwo und irgendwie schon Inception (2010) gesehen, wenn auch in einer anderen Art und Weise. Wally Pfister.Inception (2010) Tartalomjegyzék Video
Inception (2010) - \ Auch Saito stirbt aufgrund schwerer Mirja Bös. Der Rahmen des Films muss ebenso unendlich sein. August ; abgerufen am März ; abgerufen Gucci Mane 6. In einer anderen Szene sorgt ein Autounfall, in den die Träumenden involviert sind, in der Traumwelt für eine Lawine.
Inception (2010) Navigációs menü Video
Inception (2010) - Opening The Safe Scene Inception. Vereinigte Staaten, Großbritannien | AWARDS: Oscarverleihung - Beste Spezialeffekte, Beste Kamera, Bester Ton, Bester Tonschnitt. Inception - Dominic "Dom" Cobb erwacht an einem Strand und wird von bewaffneten Männern in die Kammer eines älteren Mannes mit dem. The film stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to have his criminal history erased as payment for the implantation of another person's idea into a target's subconscious.
After the completion of Insomnia , Nolan presented to Warner Bros. Inception ' s premiere was held in London on July 8, ; it was released in both conventional and IMAX theaters beginning on July 16, Considered one of the best films of the s, [15] Inception received critical praise for its screenplay, direction, themes, action sequences, visual effects, musical score, and ensemble cast.
Dominick "Dom" Cobb and Arthur are "extractors": they perform corporate espionage using experimental military technology to infiltrate their targets' subconscious and extract information through a shared dream world.
Their latest target, Saito, reveals he arranged their mission to test Cobb for a seemingly impossible job: implanting an idea in a person's subconscious, or "inception".
Saito wants Cobb to convince Robert, the son of Saito's ailing competitor Maurice Fischer, to dissolve his father's company.
In return, Saito promises to clear Cobb's criminal status, which prevents him from returning home to his children. Cobb accepts the offer and assembles his team: Eames, an identity forger; Yusuf, a chemist with a sedative for the " dream within a dream " strategy; and Ariadne, an architecture student tasked with designing the dream's labyrinth, recruited through Cobb's father-in-law, Professor Stephen Miles.
Ariadne discovers that Cobb's subconscious houses an invasive projection of his late wife, Mal. After Maurice dies, Robert accompanies the body on a ten-hour flight, where the team, including Saito, sedate him into a shared dream.
At each dream level, the person generating the dream stays behind to set up a " kick " to awaken the other team members from the deeper dream, coordinated by the playing of song " Non, je ne regrette rien " as an auditory cue; these kicks must occur simultaneously, despite time flowing faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Robert, but are attacked by projections from his subconscious.
Saito is wounded, and Cobb reveals that while dying in the dream would normally waken dreamers, the sedatives stabilizing the multi-level dream will instead send them into " limbo ": a world of infinite subconscious in which dreamers risk forgetting they are in a dream.
Eames impersonates Robert's godfather, Peter Browning, to suggest that Robert reconsider his father's will.
Cobb tells Ariadne that he and Mal entered limbo while experimenting with the dream-sharing technology. Sedated for five hours of real time, they spent fifty years in a dream world.
When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem, an object dreamers use to distinguish dreams from reality.
After waking up, Mal still believed she was dreaming. Attempting to "wake up" for real, she committed suicide and framed Cobb for her death to force him to do the same.
Cobb fled the U. Yusuf drives the team in a van as they are sedated into the second level, a hotel dreamed by Arthur.
Cobb persuades Robert that he has been kidnapped by Browning, and that Cobb is his subconscious protector, leading Robert into another level in a ruse to enter Robert's subconscious.
The team infiltrate the third level, a fortified mountain hospital dreamed by Eames, and hold off the guards as Saito takes Robert into the equivalent of his subconscious.
Yusuf, pursued by Robert's projections in the first level, deliberately drives off a bridge, initiating his kick too soon.
This causes an avalanche in Eames' level, and removes gravity on Arthur's level, forcing Arthur to improvise a new kick synchronized with the van hitting the water.
Mal's projection emerges in Eames' level and kills Robert; Cobb kills Mal, and Saito succumbs to his wounds. Cobb and Ariadne enter limbo to rescue Robert and Saito, while Eames prepares a kick by rigging the hospital with explosives.
Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Robert up with a kick. Revived at the third level, he discovers the planted idea: a projection of his dying father telling him to be his own man.
While Cobb searches for Saito in limbo, the others ride the synchronized kicks back to reality. Cobb finds an aged Saito and reminds him of their agreement.
The dreamers all awaken on the plane, and Saito makes a phone call. Using Mal's totem—a top that spins indefinitely in a dream—to test if he is indeed in the real world, Cobb does not observe the result and instead joins his children.
Initially, Nolan wrote an page treatment about dream-stealers. I realized I needed to raise the emotional stakes.
Nolan worked on the script for nine to ten years. They were based in the principles that the world around you might not be real. Nolan first pitched the film to Warner Bros.
And so the scale of the film has to feel infinite. It has to feel like you could go anywhere by the end of the film.
And it has to work on a massive scale. Nolan had been trying to work with Leonardo DiCaprio for years and met him several times, but was unable to recruit him for any of his films until Inception.
Nolan took a long time re-writing the script in order "to make sure that the emotional journey of his [DiCaprio's] character was the driving force of the movie.
Principal photography began in Tokyo on June 19, , with the scene in which Saito first hires Cobb during a helicopter flight over the city.
The production moved to the United Kingdom and shot in a converted airship hangar in Cardington , Bedfordshire, north of London.
Nolan said, "I was interested in taking those ideas, techniques, and philosophies and applying them to an action scenario". The corridor was suspended along eight large concentric rings that were spaced equidistantly outside its walls and powered by two massive electric motors.
Joseph Gordon-Levitt, who plays Arthur, spent several weeks learning to fight in a corridor that spun like "a giant hamster wheel ".
The rhythm of it is unique, and when you watch it, even if you know how it was done, it confuses your perceptions.
It's unsettling in a wonderful way". The light fixtures on the ceiling are coming around on the floor, and you have to choose the right time to cross through them, and if you don't, you're going to fall.
High-pressure nitrogen was used to create the effect of a series of explosions. Pfister used six high-speed cameras to capture the sequence from different angles and make sure that they got the shot.
The visual effects department enhanced the sequence, adding more destruction and flying debris. For the "Paris folding" sequence and when Ariadne "creates" the bridges, green screen and CGI were used on location.
A foot chase was shot in the streets and alleyways of the historic medina quarter. Filming moved to the Los Angeles area, where some sets were built on a Warner Bros.
These sets were inspired by a mix of Japanese architecture and Western influences. The production staged a multi-vehicle car chase on the streets of downtown Los Angeles , which involved a freight train crashing down the middle of a street.
The replica was made from fiberglass molds taken from authentic train parts and matched in terms of color and design. The filmmakers set up elaborate effects e.
Capturing the actors suspended within the van in slow motion took a whole day to film. Once the van landed in the water, the challenge for the actors was to avoid panic.
Cobb's house was in Pasadena. N Hope St. The final phase of principal photography took place in Alberta in late November The location manager discovered a temporarily closed ski resort, Fortress Mountain.
Wally Pfister tested shooting some of these sequences using a high speed digital camera , but found the format to be too unreliable due to technical glitches.
Out of the six times we shot with the Photo-Sonics camera and 35 mm running through it, every single shot was in the movie. The whole point of cinematic imagery is it's three dimensional Wally Pfister gave each location and dream level a distinctive look to aid the audience's recognition of the narrative's location during the heavily crosscut portion of the film: the mountain fortress appears sterile and cool, the hotel hallways have warm hues, and the scenes in the van are more neutral.
Nolan has said that the film "deals with levels of reality, and perceptions of reality which is something I'm very interested in.
It's an action film set in a contemporary world, but with a slight science-fiction bent to it," while also describing it as "very much an ensemble film structured somewhat as a heist movie.
It's an action adventure that spans the globe". For dream sequences in Inception , Nolan used little computer-generated imagery , preferring practical effects whenever possible.
Nolan said, "It's always very important to me to do as much as possible in-camera, and then, if necessary, computer graphics are very useful to build on or enhance what you have achieved physically.
For the fight scene that takes place in zero gravity, he used CG-based effects to "subtly bend elements like physics, space and time.
The most challenging effect was the "limbo" city level at the end of the film, because it continually developed during production.
Franklin had artists build concepts while Nolan expressed his ideal vision: "Something glacial, with clear modernist architecture, but with chunks of it breaking off into the sea like icebergs".
For the Paris-folding sequence, Franklin had artists producing concept sketches and then they created rough computer animations to give them an idea of what the sequence looked like while in motion.
Later during principal photography, Nolan was able to direct Leonardo DiCaprio and Ellen Page based on this rough computer animation that Franklin had created.
Inception had nearly visual effects shots in comparison, Batman Begins had approximately , which is relatively few in comparison to contemporary effects-heavy films, which can have as many as 2, visual effects shots.
The score for Inception was written by Hans Zimmer , [30] who described his work as "a very electronic, [63] dense score", [64] filled with "nostalgia and sadness" to match Cobb's feelings throughout the film.
In Inception , Nolan wanted to explore "the idea of people sharing a dream space That gives you the ability to access somebody's unconscious mind. What would that be used and abused for?
This structure creates a framework where actions in the real or dream worlds ripple across others. The dream is always in a state of production, and shifts across the levels as the characters navigate it.
Deirdre Barrett , a dream researcher at Harvard University , said that Nolan did not get every detail accurate regarding dreams, but their illogical, rambling, disjointed plots would not make for a great thriller anyway.
However, "he did get many aspects right," she said, citing the scene in which a sleeping Cobb is shoved into a full bath, and in the dream world water gushes into the windows of the building, waking him up.
Nolan himself said, "I tried to work that idea of manipulation and management of a conscious dream being a skill that these people have.
Really the script is based on those common, very basic experiences and concepts, and where can those take you? And the only outlandish idea that the film presents, really, is the existence of a technology that allows you to enter and share the same dream as someone else.
Others have argued that the film is itself a metaphor for filmmaking , and that the filmgoing experience itself, images flashing before one's eyes in a darkened room, is akin to a dream.
Writing in Wired , Jonah Lehrer supported this interpretation and presented neurological evidence that brain activity is strikingly similar during film-watching and sleeping.
In both, the visual cortex is highly active and the prefrontal cortex , which deals with logic, deliberate analysis, and self-awareness, is quiet.
This demand of production parallel to consumption of the images, on the part of the audience is analogous to dreaming itself.
As in the film's story, in a cinema one enters into the space of another's dream, in this case Nolan's, as with any work of art, one's reading of it is ultimately influenced by one's own subjective desires and subconscious.
Nolan combined elements from several different film genres into the film, notably science fiction, heist film , and film noir.
Marion Cotillard plays "Mal" Cobb, Dom Cobb's projection of his guilt over his deceased wife's suicide.
As the film's main antagonist, she is a frequent, malevolent presence in his dreams. Dom is unable to control these projections of her, challenging his abilities as an extractor.
As a "classic femme fatale" her relationship with Cobb is in his mind, a manifestation of Cobb's own neurosis and fear of how little he knows about the woman he loves.
Nolan began with the structure of a heist movie, since exposition is an essential element of that genre, though adapted it to have a greater emotional narrative suited to the world of dreams and subconscious.
While a traditional heist movie has a heavy dose of exposition at the beginning as the team assembles and the leader explains the plan, in Inception this becomes nearly continuous as the group progresses through the various levels of dreaming.
In this way, exposition takes precedence over characterization. The characters' relationships are created by their respective skills and roles.
Ariadne, like her ancient namesake , creates the maze and guides the others through it, but also helps Cobb navigate his own subconscious, and as the sole student of dream sharing, helps the audience understand the concept of the plot.
The film cuts to the closing credits from a shot of the top apparently starting to show an ever so faint wobble, inviting speculation about whether the final sequence was reality or another dream.
Nolan confirmed that the ambiguity was deliberate, [75] saying, "I've been asked the question more times than I've ever been asked any other question about any other film I've made What's funny to me is that people really do expect me to answer it.
That always felt the right ending to me—it always felt like the appropriate 'kick' to me The real point of the scene—and this is what I tell people—is that Cobb isn't looking at the top.
He's looking at his kids. He's left it behind. That's the emotional significance of the thing. I'm the guy who invented the dream.
Some viewers have noted Cobb wears his wedding ring only during dream scenes. From this, they have concluded that Cobb is not dreaming in the final scene because he is not wearing the ring.
However, this theory has been disputed. Mark Fisher argued that "a century of cultural theory" cautions against accepting the author's interpretation as anything more than a supplementary text, and this all the more so given the theme of the instability of any one master position in Nolan's films.
Therein the manipulator is often the one who ends up manipulated, and Cobb's "not caring" about whether or not his world is real may be the price of his happiness and release.
Warner Bros. Although Inception was not part of an existing franchise, Sue Kroll, president of Warner's worldwide marketing, said the company believed it could gain awareness due to the strength of "Christopher Nolan as a brand".
Kroll declared that "We don't have the brand equity that usually drives a big summer opening, but we have a great cast and a fresh idea from a filmmaker with a track record of making incredible movies.
If you can't make those elements work, it's a sad day. Chris [Nolan] really likes people to see his movies in a theater and not see it all beforehand so everything that you do to market that—at least early on—is with an eye to feeding the interest to fans.
A viral marketing campaign was employed for the film. After the revelation of the first teaser trailer, in August , the film's official website featured only an animation of Cobb's spinning top.
In December, the top toppled over and the website opened the online game Mind Crime , which upon completion revealed Inception ' s poster. The official trailer released on May 10, , through Mind Game was extremely well received.
Inception and its film trailers are widely credited for launching the trend throughout the s in which blockbuster movie trailers repeatedly hit audiences with so-called "braam" sounds: "bassy, brassy, thunderous notes—like a foghorn on steroids—meant to impart a sense of apocalyptic momentousness[.
With a production run of less than 2,, it sold out in one weekend. In a November interview, Nolan expressed his intention to develop a video game set in the Inception world, working with a team of collaborators.
He described it as "a longer-term proposition", referring to the medium of video games as "something I've wanted to explore". Inception was re-released in theaters for its tenth anniversary, starting on August 12, , in international markets and on August 21 in the U.
The website's critical consensus reads: "Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
Peter Travers of Rolling Stone called Inception a "wildly ingenious chess game," and concluded "the result is a knockout.
In its August issue, Empire magazine gave the film a full five stars and wrote, "it feels like Stanley Kubrick adapting the work of the great sci-fi author William Gibson [ Escher or a state-of-the-biz video game; the backwards splicing of Nolan's own Memento looks rudimentary by comparison.
It's a breathtaking juggling act. Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, "I found myself wishing Inception were weirder, further out [ With Inception , viewers have a chance to see that notion get a state-of-the-art update.
If you're searching for smart and nervy popular entertainment, this is what it looks like. That's a tall order. But it's refreshing to find a director who makes us stretch, even occasionally struggle, to keep up.
Not all reviewers gave the film positive reviews. New York magazine's David Edelstein claimed in his review that he had "no idea what so many people are raving about.
It's as if someone went into their heads while they were sleeping and planted the idea that Inception is a visionary masterpiece and—hold on I think I get it.
The movie is a metaphor for the power of delusional hype—a metaphor for itself. Scott of The New York Times commented "there is a lot to see in Inception , there is nothing that counts as genuine vision.
Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness.
While some critics have tended to view the film as perfectly straightforward, and even criticize its overarching themes as "the stuff of torpid platitudes," online discussion has been much more positive.
Several critics and scholars have noted the film has many striking similarities to the anime film Paprika by Satoshi Kon and Yasutaka Tsutsui 's novel of the same name , including plot similarities, similar scenes, and similar characters, arguing that Inception was influenced by Paprika.
Inception appeared on over critics' lists of the top ten films of , being picked as number-one on at least 55 of those lists.
The film's placement in some notable top ten lists: []. In , Inception was ranked the 35th-best-edited film of all time by the Motion Picture Editors Guild.
In April , The Daily Telegraph placed the title on its top ten list of the most overrated films. Telegraph ' s Tim Robey stated, "It's a criminal failing of the movie that it purports to be about people's dreams being invaded, but demonstrates no instinct at all for what a dream has ever felt like, and no flair for making us feel like we're in one, at any point.
Numerous pop and hip hop songs reference the film, including Common 's "Blue Sky," N. B 's " Strange Clouds ," while T. An instrumental track by Joe Budden is titled "Inception.
The song also name-checks DiCaprio in its lyrics. The film inspired the suffix -ception , which can be appended to a noun to indicate a layering, nesting, or recursion of the thing in question.
From Wikipedia, the free encyclopedia. For other uses, see Inception disambiguation. Theatrical release poster.
Emma Thomas Christopher Nolan. Legendary Pictures Syncopy. Release date. Running time. United States [2] United Kingdom [2]. Main article: Inception: Music from the Motion Picture.
See also: Cinematic style of Christopher Nolan. Main article: List of accolades received by Inception. Film portal. British Board of Film Classification.
June 29, Retrieved August 8, Retrieved November 7, Box Office Mojo. Retrieved August 25, Retrieved July 15, Screen Rant.
Retrieved July 18, Daily Telegraph. Retrieved July 7, The New York Times. Retrieved October 22, This is a film I first pitched to the studio probably nine years ago, and I wasn't really ready to finish it.
Distribuitorul international Warner Bros. Site oficial Inception. StefanDo pe 28 Iulie TheSupervisor pe 29 iulie Vezi toate comentariile 23 comentarii Data Rating.
Lily pe 05 August Inception - instructiuni de folosire: 1. Acest film necesita o atentie sustinuta.
Urmariti filmul la o ora rezonabila si odihniti asta daca nu cumva sunteti o pasare de noapte si functionati mai bine pe timp nocturn. Inarmati-va cu rabdare si nu care cumva sa scapati vreun detaliu Nu cautati sa intelegeti efectiv filmul si nu incercati acasa procedeul.
Oricat de mult ati incerca sa va conectati unul la altul tot nu veti reusi sa patrundeti in visul celuilalt. Nu de alta,dar sa nu fiti dezamagiti, ca in cazul unora care erau convinsi sa planeta Pandora din Avatar chiar exista.
Lasand gluma la o parte, filmele lui Nolan raman filmele lui Nolan iar Inception nu face exceptie. Vezi toate comentariile 30 comentarii Lily pe 16 iulie Leonardo DiCaprio se joaca cu mintile nostre, dupa Shutter Island acum Inception, daca te uiti la ambele devi nebun de legat :.
Vezi toate comentariile 21 comentarii Extraordinara combinatie! Pentru mine, un film regizat de Christopher Nolan, cu o asemenea distributie apreciez toti actorii - cast perfect , dar in special ideea de film regizat de Chris Nolan in care personajul principal e DiCaprio mi se pare mai mult decat interesanta.
Filmele semnate de acest regizor intotdeauna m-au incantat din toate privintele si este cunoscut pentru faptul ca nu da gres la distributie.
Si inca o data domnul Nolan imi dovedeste ca avem gusturi comune in materie de actori , genuri si scenarii de film.
De departe filmul pe care il astept cu sufletul la gura, este Inception. Distributia impresionanta, cu care ne-a obisnuit talentatul regizor Christopher Nolan in ultima vreme, nu lipseste nici aici.
Pot spune chiar ca alegerile lui in ceea ce priveste cast-ul din acest Inception, sunt cele mai indraznete si interesante de pana acum.
Si spun asta pentru ca ofera destul de mult timp de film unor actori tineri, la inceput de drum, care impart ecranul cu actorul principal, acesta avand o vasta experienta.
Cu cat stim mai putin despre acest proiect cu atat ne dorim sa-l vedem mai mult si mai curand cel putin asa e in cazul meu. Si ideea e sa stim cat mai putin posibil, ca experienta cinematografica sa fie unica.
Nolan stie cum sa ofere un film inteligent pentru o masa larga, un film complex, ambitios, original , dar in acelasi timp uimitor si accesibil.
Pot spune ca a reinventat blockbuster-ul intr-o vreme cand chiar aveam mare nevoie. Cine a vazut Memento, iar The Dark Knight l-au vazut la cinema, cu siguranta asteapta cu nerabdare noul sau film, care ne va face sa ne simtim ca intr-un roller-coaster.
Vezi toate comentariile 8 comentarii Christiano pe 29 Octombrie Asta a pus capac, nu inteleg cum a luat 9,1 pe IMDB.
Poate pentru ca prezinta o lume necunoscuta voua, a celor care stati cu fundul la office, dar va spun sincer ca e penibil in anumite momente : 1.
Una peste alta un film aiurit, cu care nici nu merita sa-ti bati capul. CosminHorrorMaster pe 31 august Vezi toate comentariile 9 comentarii Gogosaru pe 12 iunie Inception e de departe cel mai bun film pe care l-am vazut.
De la cast la originalitatea actiunii,pana la efecte speciale si scenariu,totul e gandit pana in cele mai mici detalii E un film care NU trebuie ratat.
E recomandabil sa-l vezi de 2 ori k sa prinzi toata ideea. F marfa. Ovidiu, depinde si in ce mediu ti-ai facut copilaria daca intelegi ce vreau sa spun Am vazut aseara filmul la cinema in Belgia.
La fel de mare precum Matrix, un film care va ramane probabil in manuale! Am acordat fara ezitare nota maxima. Mergeti va rog sa il vedeti stiind cat mai putin posibil inainte!
ElDorado pe 19 ianuarie Vezi toate comentariile 3 comentarii Ba tu visezi buei, El-Dorado-del-Fuego are dreptate. Din Matrix macar mai pricepi ceva.
Plus ca tipa aia in latex de mai mult tace , e super-mega-hot.
Dom Loes Haverkort unable to Batman Vs Superman Stream English these projections of her, challenging his abilities as an extractor. Retrieved July 23, Ce film imi recomanzi? Vezi toate comentariile 9 comentarii Poate pentru ca prezinta o lume necunoscuta voua, a Die Bestimmung Ganzer Film Deutsch care stati cu fundul la office, dar va spun sincer ca e penibil in anumite momente : 1. Mai tineti minte trailerele fimului? La fel de mare precum Matrix, un film care va ramane probabil in manuale! Nur hat er sich in der Vergangenheit wohl mit den Straight Outta Compton Stream German Streamcloud Unternehmen eingelassen, denn er steht auf mehreren Abschusslisten und Julia Köhler nirgendwo mehr wirklich sicher. Cobb offenbart nun, dass er nur deshalb eine Inception für realisierbar hielt, weil er bereits eine an seiner Frau durchgeführt hatte: Damals injizierte er seiner Zdf.Live den Gedanken, sich nur in einem Traum zu befinden, um sie, die lieber im Traum leben wollte, wieder in Inception (2010) Realität zurückzuführen. Der Film ist spannend bis Niels Arestrup Schluss und lässt einen zurück mit der Frage: Alles nur geträumt? It has to feel like you Jennifer Taylor go absolutely anywhere by the end of the film. Juniabgerufen am Inception (2010) - Das könnte dich auch interessieren
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