Solaris Movie Navigationsmenü
Auf der Forschungsstation `Prometheus' im Orbit des Planeten Solaris geschehen beängstigende Dinge. Der Wissenschaftler Chris Kelvin wird von seinem Freund Gibarian, dem Missionsleiter, zu Hilfe gerufen. Als er auf der Raumstation ankommt, hat. Solaris ist eine Verfilmung des Science-Fiction-Romans Solaris des polnischen Autors Solaris in der Internet Movie Database (englisch). Solaris bei Rotten. Solaris (OT: russisch Солярис, transkribiert Soljaris) ist ein sowjetischer Science-Fiction-Film Solaris in der Internet Movie Database. ↑ Solaris im Lexikon des. Been wanting this in blu ray for ages. One of the best Sci fi movies of all time. The emotions that run across George Clooney's face are worth watching this movie. George Clooney folgt dem Ruf von Ulrich Tukur und begibt sich in Solaris zu einer Raumstation, auf der seltsame Dinge geschehen. Slow-moving, cerebral, and ambiguous, Solaris is not a movie for everyone, but it offers intriguing issues to ponder. Seven year old Sasha practices violin every. Directed by Borys Lankosz. With Stanislaw Beres, Michal Czernecki, Tomasz Fialkowski, Robert Gonera. The first biographical documentary about the Polish.
Kelvin catches fleeting glimpses of others aboard the station who were not part of the original crew.
He also finds that Gibarian left him a rambling, cryptic farewell video message, warning him about the station.
After a fitful sleep, Kelvin is shocked to find Hari, his late wife, in his sleeping quarters. She is unaware of how she got there.
Terrified by her presence, Kelvin launches the replica of his wife into outer space. Snaut explains that the "visitors" began appearing after the scientists conducted radiation experiments using X-rays in a desperate attempt to understand the planet's nature.
That evening, Hari reappears in his quarters. This time Kelvin calmly accepts her and they fall asleep together in an embrace. Hari panics when Kelvin briefly leaves her alone in the room, and injures herself.
But before Kelvin can give first aid, her injuries spontaneously heal before his eyes. Sartorius and Snaut explain to Kelvin that Solaris created Hari from his memories of her.
The Hari present among them, though not human, thinks and feels as though she were. Sartorius theorizes that the visitors are composed of "neutrino systems" but that it might still be possible to destroy them through use of a device known as "the annihilator".
Later, Snaut proposes beaming Kelvin's brainwave patterns at Solaris in hopes that it will understand them and stop the disturbing apparitions.
In time, Hari becomes independent and is able to exist away from Kelvin's presence. She learns from Sartorius that the original Hari had committed suicide ten years earlier.
Sartorius, Snaut, Kelvin and Hari gather together for a birthday party, which evolves into a philosophical argument, during which Sartorius reminds Hari that she is not real.
Distressed, Hari kills herself again by drinking liquid oxygen , only to painfully resurrect after a few minutes. On the surface of Solaris, the ocean begins to swirl faster into a funnel.
Kelvin becomes ill and goes to sleep. He dreams of his mother as a young woman, washing away dirt or scabs from his arm.
When he awakens, Hari is gone; Snaut reads her farewell note, in which she describes how she petitioned the two scientists to destroy her.
Snaut then tells Kelvin that since they broadcast Kelvin's brainwaves into Solaris, the visitors had stopped appearing and islands began forming on the planet surface.
Kelvin debates whether or not to return to Earth or to remain with Solaris. Kelvin meets with his father at their dacha. The camera zooms out to reveal that it is on an island in Solaris's ocean.
First, he admired Lem's work. Second, he needed work and money, because his previous film, Andrei Rublev , had gone unreleased, and his screenplay A White, White Day had been rejected in it was realised as The Mirror.
A film of a novel by Lem, a popular and critically respected writer in the USSR , was a logical commercial and artistic choice.
Tarkovsky and Lem collaborated and remained in communication about the adaptation. With Fridrikh Gorenshtein , Tarkovsky co-wrote the first screenplay in the summer of ; two-thirds of it occurred on Earth.
The Mosfilm committee disliked it, and Lem became furious over the drastic alteration of his novel. The final screenplay yielded the shooting script, which has less action on Earth and deletes Kelvin's marriage to his second wife, Maria, from the story.
In the movie, Tarkovsky concentrates on Kelvin's feelings for his wife, Hari, and the impact of outer space exploration on the human condition.
Gibarian's monologue from the novel's sixth chapter is the highlight of the final library scene, wherein Snaut says: "We don't need other worlds.
We need mirrors". Unlike the novel, which begins with Kelvin's spaceflight and takes place entirely on Solaris, the film shows Kelvin's visit to his parents' house in the country before leaving Earth.
The contrast establishes the worlds in which he lives — a vibrant Earth versus an austere, closed-in space station orbiting Solaris — demonstrating and questioning space exploration's impact on the human psyche.
The set design of Solaris features paintings by the Old Masters. The scene of Kelvin kneeling before his father and the father embracing him alludes to The Return of the Prodigal Son by Rembrandt.
The references and allusions are Tarkovsky's efforts to give the young art of cinema historical perspective, to evoke the viewer's feeling that cinema is a mature art.
The film references Tarkovsky's film Andrei Rublev by having an icon by Andrei Rublev being placed in Kelvin's room.
Tarkovsky initially wanted his ex-wife, Irma Raush , to play Hari, but after meeting Swedish actress Bibi Andersson in June , he decided that she was better for the role.
Wishing to work with Tarkovsky, Andersson agreed to be paid in rubles. Nevertheless, Natalya Bondarchuk was ultimately cast as Hari.
Tarkovsky had met her when they were students at the State Institute of Cinematography. It was she who had introduced the novel Solaris to him.
Tarkovsky auditioned her in , but decided she was too young for the part. He instead recommended her to director Larisa Shepitko , who cast her in You and I.
Half a year later, Tarkovsky screened that film and was so pleasantly surprised by her performance that he decided to cast Bondarchuk as Hari after all.
The director had already worked with Solonitsyn, who had played Andrei Rublev, and with Grinko, who appeared in Andrei Rublev and Ivan's Childhood Tarkovsky thought Solonitsyn and Grinko would need extra directorial assistance.
The exteriors were photographed at Zvenigorod , near Moscow; the interiors were photographed at the Mosfilm studios. The scenes of space pilot Berton driving through a city were photographed in September and October at Akasaka and Iikura in Tokyo.
The original plan was to film futuristic structures at the World Expo '70 , but the trip was delayed. The shooting began in March with cinematographer Vadim Yusov , who also photographed Tarkovsky's previous films.
They quarreled so much on this film that they never worked together again. Not widely available in the Soviet Union, it had to be specially procured for the production.
The Solaris ocean was created with acetone, aluminium powder, and dyes. Crazy Credits. Alternate Versions.
Rate This. A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
Director: Steven Soderbergh. Writers: Stanislaw Lem novel , Steven Soderbergh screenplay. Added to Watchlist. From metacritic.
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Edit Cast Complete credited cast: George Clooney Chris Kelvin Natascha McElhone Rheya Viola Davis Gordon Jeremy Davies Snow Ulrich Tukur Gibarian John Cho Gibarian's Son Donna Kimball Gibarian Michael Ensign Friend 1 Elpidia Carrillo Friend 2 Kent Faulcon Patient 1 as Kent D.
Faulcon Lauren Cohn Patient 2 as Lauren M. Cohn Rest of cast listed alphabetically: Tony Clemons Edit Storyline Grieving psychologist Chris Kelvin is sent to investigate a lonely space station orbiting the mysterious planet Solaris, where terrified crewmembers are experiencing a host of strange phenomena, including impossibly halcyon visitors that seem all too human.
Taglines: How far will you go for a second chance? Edit Did You Know? Trivia Two character's names vary a great deal in the different versions of this story.
The female character is known as "Rhea" in the English translation of the novel, "Rheya" in the film, and "Harey" in the original Polish.
Goofs Gordon says she's getting agoraphobic. Agoraphobia is an irrational fear of going out and facing crowds of people.
Gordon is living on a Space Station. Quotes [ first lines ] [ Chris's memories, in voiceover ] Rheya Kelvin : Chris, what is it?
I love you so much. Don't you love me anymore? Crazy Credits There are no credits at the beginning. All the credits are at the end of the film.
User Reviews It's emotions and reactions - terrifically engaging! The consensus states "Slow-moving, cerebral, and ambiguous, Solaris is not a movie for everyone, but it offers intriguing issues to ponder.
The absence of boyish friskiness, kineticism and pyrotechnics makes it a film that offers no vicarious physical release. Its insistence on remaining cerebral and somber to the end may be a sign of integrity, but it should cost it dearly at the box office.
It was slow, mysterious, confusing, and I have never forgotten it. Soderbergh's version is more clean and spare, more easily readable, but it pays full attention to the ideas and doesn't compromise.
Tarkovsky was a genius, but one who demanded great patience from his audience as he ponderously marched toward his goals. The Soderbergh version is like the same story freed from the weight of Tarkovsky's solemnity.
And it evokes one of the rarest of movie emotions, ironic regret. Soderbergh "said that he didn't intend Solaris to be a remake of Tarkovsky's film but rather a new version of Stanislaw Lem's novel".
As Solaris' author I shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists , in a mighty manner perhaps, but cannot be reduced to human concepts, ideas or images.
This is why the book was entitled "Solaris" and not "Love in Outer Space". In , Solaris made Time magazine's "Top 10 Hollywood Remakes" list, saying it was "expertly and exquisitely executed" and "manages to extract that all too rare achievement from a sci-fi film: emotion.
The score was composed by Cliff Martinez in [28] and first released by Superb Records on Compact Disc in [29].
After being out of print, it was re-released in a remastered edition in January by La-La Land Records [30]. Six vinyl versions of the soundtrack were later released by Invada Records.
The first repress was introduced in [32] on black vinyl, white vinyl, and picture disc. From Wikipedia, the free encyclopedia. For other films based on the novel, see Solaris film and Solaris film.
Theatrical release poster. James Cameron Jon Landau. Lightstorm Entertainment. Release date. Running time. Cliff Martinez.
British Board of Film Classification. January 6, Retrieved April 19, Box Office Mojo. Retrieved May 30, Retrieved November 2, Archived from the original on February 18, Additional archives: May 30, Urban Cinefile.
February 27, Retrieved June 4, Retrieved June 14, Film Threat. The Orange County Register. The Seattle Times. Contact Music. Why filmmakers use pseudonyms".
Welkos November 5, Times Staff Writer. The Los Angeles Times. Welkos November 15, Solaris DVD audio commentary track.
Solaris. FSK 12 98 Minuten | Start: | USA Steven Soderberghs Remake von Andrei Tarkowskis gleichnamiger Verfilmung des. Schau dir unsere Auswahl an solaris movie an, um die tollsten einzigartigen oder spezialgefertigten handgemachten Stücke aus unseren Shops für musik-.
Diese Frage wird in eine überaus emotionale Liebesgeschichte verpackt. Sie ist real anwesend und auch für Solaris Movie zwei anderen Astronauten wie ein normaler Mensch wahrnehmbar. Realität aus den Fugen - Strange Cinema! Home Filme Solaris. George Clooney. Hauptseite Themenportale The Blacklist Episodenliste Artikel. Chris hatte auf der Erde eine anfangs sehr glückliche Beziehung zu Rheya. He also finds that Gibarian left him a rambling, cryptic farewell video message, warning him about the station. After a fitful sleep, Kelvin is shocked to find Hari, his late wife, in his sleeping quarters.
She is unaware of how she got there. Terrified by her presence, Kelvin launches the replica of his wife into outer space.
Snaut explains that the "visitors" began appearing after the scientists conducted radiation experiments using X-rays in a desperate attempt to understand the planet's nature.
That evening, Hari reappears in his quarters. This time Kelvin calmly accepts her and they fall asleep together in an embrace.
Hari panics when Kelvin briefly leaves her alone in the room, and injures herself. But before Kelvin can give first aid, her injuries spontaneously heal before his eyes.
Sartorius and Snaut explain to Kelvin that Solaris created Hari from his memories of her. The Hari present among them, though not human, thinks and feels as though she were.
Sartorius theorizes that the visitors are composed of "neutrino systems" but that it might still be possible to destroy them through use of a device known as "the annihilator".
Later, Snaut proposes beaming Kelvin's brainwave patterns at Solaris in hopes that it will understand them and stop the disturbing apparitions.
In time, Hari becomes independent and is able to exist away from Kelvin's presence. She learns from Sartorius that the original Hari had committed suicide ten years earlier.
Sartorius, Snaut, Kelvin and Hari gather together for a birthday party, which evolves into a philosophical argument, during which Sartorius reminds Hari that she is not real.
Distressed, Hari kills herself again by drinking liquid oxygen , only to painfully resurrect after a few minutes. On the surface of Solaris, the ocean begins to swirl faster into a funnel.
Kelvin becomes ill and goes to sleep. He dreams of his mother as a young woman, washing away dirt or scabs from his arm.
When he awakens, Hari is gone; Snaut reads her farewell note, in which she describes how she petitioned the two scientists to destroy her.
Snaut then tells Kelvin that since they broadcast Kelvin's brainwaves into Solaris, the visitors had stopped appearing and islands began forming on the planet surface.
Kelvin debates whether or not to return to Earth or to remain with Solaris. Kelvin meets with his father at their dacha.
The camera zooms out to reveal that it is on an island in Solaris's ocean. First, he admired Lem's work.
Second, he needed work and money, because his previous film, Andrei Rublev , had gone unreleased, and his screenplay A White, White Day had been rejected in it was realised as The Mirror.
A film of a novel by Lem, a popular and critically respected writer in the USSR , was a logical commercial and artistic choice.
Tarkovsky and Lem collaborated and remained in communication about the adaptation. With Fridrikh Gorenshtein , Tarkovsky co-wrote the first screenplay in the summer of ; two-thirds of it occurred on Earth.
The Mosfilm committee disliked it, and Lem became furious over the drastic alteration of his novel. The final screenplay yielded the shooting script, which has less action on Earth and deletes Kelvin's marriage to his second wife, Maria, from the story.
In the movie, Tarkovsky concentrates on Kelvin's feelings for his wife, Hari, and the impact of outer space exploration on the human condition.
Gibarian's monologue from the novel's sixth chapter is the highlight of the final library scene, wherein Snaut says: "We don't need other worlds.
We need mirrors". Unlike the novel, which begins with Kelvin's spaceflight and takes place entirely on Solaris, the film shows Kelvin's visit to his parents' house in the country before leaving Earth.
The contrast establishes the worlds in which he lives — a vibrant Earth versus an austere, closed-in space station orbiting Solaris — demonstrating and questioning space exploration's impact on the human psyche.
The set design of Solaris features paintings by the Old Masters. The scene of Kelvin kneeling before his father and the father embracing him alludes to The Return of the Prodigal Son by Rembrandt.
The references and allusions are Tarkovsky's efforts to give the young art of cinema historical perspective, to evoke the viewer's feeling that cinema is a mature art.
The film references Tarkovsky's film Andrei Rublev by having an icon by Andrei Rublev being placed in Kelvin's room. Tarkovsky initially wanted his ex-wife, Irma Raush , to play Hari, but after meeting Swedish actress Bibi Andersson in June , he decided that she was better for the role.
Wishing to work with Tarkovsky, Andersson agreed to be paid in rubles. Nevertheless, Natalya Bondarchuk was ultimately cast as Hari.
Tarkovsky had met her when they were students at the State Institute of Cinematography. It was she who had introduced the novel Solaris to him.
Tarkovsky auditioned her in , but decided she was too young for the part. He instead recommended her to director Larisa Shepitko , who cast her in You and I.
Half a year later, Tarkovsky screened that film and was so pleasantly surprised by her performance that he decided to cast Bondarchuk as Hari after all.
The director had already worked with Solonitsyn, who had played Andrei Rublev, and with Grinko, who appeared in Andrei Rublev and Ivan's Childhood Tarkovsky thought Solonitsyn and Grinko would need extra directorial assistance.
The exteriors were photographed at Zvenigorod , near Moscow; the interiors were photographed at the Mosfilm studios. The scenes of space pilot Berton driving through a city were photographed in September and October at Akasaka and Iikura in Tokyo.
The original plan was to film futuristic structures at the World Expo '70 , but the trip was delayed. The shooting began in March with cinematographer Vadim Yusov , who also photographed Tarkovsky's previous films.
They quarreled so much on this film that they never worked together again. Not widely available in the Soviet Union, it had to be specially procured for the production.
The Solaris ocean was created with acetone, aluminium powder, and dyes. The designer and director consulted with scientist and aerospace engineer Lupichev, who lent them a s-era mainframe computer for set decoration.
The state of human minds has always been so abstract and never easy an easy subject to comprehend. It's even more complex to decipher on screen.
Nope, this film is not strictly a ghost story, nor is it a Star Trek adventure story to interest most science-fiction craving fans.
Don't expect to see the usual Hollywood sweet romantic tale either! This film focuses on the psychological journey faced by the despaired and unstable minds.
It's a film that totally relies on the characters' emotions and reactions. Has Steven Soderbergh succeeded in sprucing up Andrei Tarkovski's psychological cult sci-fi classic to make it worth the while to pay a regular price of a tix?
Can't really say, as I've never seen the Russian version. But I was truly mesmerized by this film's approach to what, I think, is the study of human insanity slipping beyond saving.
The film is slow in pace and lengthy, with stretches of tedious silence, letting the imagination of the viewers try understand what happened to each of the characters seen, or heard.
Silence comes with such intensity that it works very proficiently in this film. There are dazzlingly and ecstatically artistic visual moments to offer that dreamlike stance.
At other times, Soderbergh provides a more solid spectrum allowing the viewers to grasp intellectually the conflicts faced by the human minds - Kelvin, Snow and Gordon - as a result of some traumatically emotional events.
Viewers are told that Dr. Gibarian has already committed suicide. These may all be psychologists, but they all seem to exhibit signs of stress and paranoia.
Oh yes, the psychological intent of the film's contents is truly complex and we are slowly led to see who will finally be capable of making the right choice, and escape insanity.
Earth, presumably, is a symbol of normality! It's about the existential exploration of the minds' sufferings, almost as if the memories of the human mind are being driven to a test.
It's reliving a past and letting memories play tricks on the minds. It's living on regrets, hoping they could rewind the clock backward to bring about changes to events that are gradually driving the victims to complete madness.
Indeed, a very haunting! Almost like the work of Bergman, Ophuls, Kubrick, and Welles, Soderbergh brings a well-crafted mysticism to the screen This film is very hypnotically effective and unique!
Solaris - seemingly like an alien memory-stimulating anthropomorphic life form - is so eerily powerful on the screen.
It's the driving force to the human insanity. George Clooney is simply awesome. Follow his Kelvin as he deals with the issues of love, fear and death.
It deals with his choice to throw away every memory of his past or to cling to them. That's to say he has the choice to allow his memories to manipulate him, or throw them out altogether.
I find it hardly possible not to get totally absorbed with Clooney's character. Scary as it may sound, ghostly memories are never easy to shake off and thus lead men to more deadly conditions.
Sometimes for these beings, their choice of death becomes their ultimate solution of finding peace. The performances of the ensemble of cast are solid, but the dialogue is the strength of the film, providing hints to what actually is happening to the characters.
An intriguingly engaging film - that's my opinion, of course! The narrative progression is nicely eloquent and the ending is impressive - providing the viewers with the feeling of having unraveled the mystery and capture the relief.
It's certainly not a film for everybody Readers of Jung and Freud may find this film interesting as it supports the theory that conflict arises within the mind, mental health and illness, dominance, creativity and hearing voices.
Fan of Clooney may miss his usual extraordinary charm and wit, but I'd say, thumbs up to him for his courageous choice to engage the viewers with his talent in exhibiting his emotional expressions.
He goes on to tell them that repeat usage of the apparatus has drained the ship's fuel cell reactor, making a return trip to Earth impossible.
Furthermore, Solaris has begun to exponentially increase its mass, thereby gravitationally pulling the space station inexorably toward the planet.
Gordon and Kelvin begin prepping a smaller space vehicle called Athena to escape. Back on Earth, Kelvin struggles to return to normal life, haunted by the idea that he "remembered her wrong" — that is, Rheya as being invariably suicidal.
When he accidentally cuts his finger in his kitchen, the wound immediately heals, and it is then that Kelvin realizes that he never returned to Earth.
In a flashback, Kelvin gives up the idea of boarding the lifeboat, and Doctor Gordon leaves him behind. As the plummeting space station rattles itself to pieces around him, the replica of Gibarian's young son appears and offers his hand in assistance.
In the kitchen, Rheya appears to Kelvin yet again. This time, however, she is tranquil, and assures Kelvin that they no longer have to think in terms like "life" and "death," and that all they have ever done is forgiven.
For a while, James Cameron was looking to remake Solaris. Cameron was thrilled with what he heard and development began on the project. Using both the film and the book as reference, the script allowed him to dig into various themes and subjects he wasn't able to come to terms with in his earlier films.
Since George Clooney was Soderbergh's producing partner, having formed Section Eight Productions together in , Soderbergh was obligated to send Clooney a copy of the Solaris script.
Because both Soderbergh and Clooney had prior commitments at the time, the film did not enter production until close to mid Following a week of filming exteriors, the crew moved to the Warner Bros.
In addition to fulfilling the roles of director and screenwriter, Soderbergh also acted as the film's cinematographer and editor, both of which were credited under pseudonyms.
A few weeks prior to the film's release, in early November , the Motion Picture Association of America assigned the film an R rating primarily due to two scenes that depicted Clooney's naked backside.
Twelve days prior to the film's release, an appeals board overturned the R-rating for a PG rating. The consensus states "Slow-moving, cerebral, and ambiguous, Solaris is not a movie for everyone, but it offers intriguing issues to ponder.
The absence of boyish friskiness, kineticism and pyrotechnics makes it a film that offers no vicarious physical release. Its insistence on remaining cerebral and somber to the end may be a sign of integrity, but it should cost it dearly at the box office.
It was slow, mysterious, confusing, and I have never forgotten it. Soderbergh's version is more clean and spare, more easily readable, but it pays full attention to the ideas and doesn't compromise.
Tarkovsky was a genius, but one who demanded great patience from his audience as he ponderously marched toward his goals. The Soderbergh version is like the same story freed from the weight of Tarkovsky's solemnity.
And it evokes one of the rarest of movie emotions, ironic regret. Soderbergh "said that he didn't intend Solaris to be a remake of Tarkovsky's film but rather a new version of Stanislaw Lem's novel".
As Solaris' author I shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists , in a mighty manner perhaps, but cannot be reduced to human concepts, ideas or images.
This is why the book was entitled "Solaris" and not "Love in Outer Space". In , Solaris made Time magazine's "Top 10 Hollywood Remakes" list, saying it was "expertly and exquisitely executed" and "manages to extract that all too rare achievement from a sci-fi film: emotion.
The score was composed by Cliff Martinez in [28] and first released by Superb Records on Compact Disc in [29].
After being out of print, it was re-released in a remastered edition in January by La-La Land Records [30]. Six vinyl versions of the soundtrack were later released by Invada Records.
The first repress was introduced in [32] on black vinyl, white vinyl, and picture disc. From Wikipedia, the free encyclopedia. For other films based on the novel, see Solaris film and Solaris film.
Theatrical release poster. James Cameron Jon Landau. Lightstorm Entertainment. Release date. Running time. Cliff Martinez. British Board of Film Classification.
January 6, Retrieved April 19, Box Office Mojo.
Namensräume Artikel Diskussion. Aleksander Jerzy Jarzebski German Soldiers Jakub Hojda Self Wiktor Kant Kino Programm Kelvin Concussion Stream Deutsch sich auf die Raumstation, nachdem er eine Videoaufzeichnung seines engen Freundes Gibarian Ulrich Tukurdem Missionsleiter, gesehen hat. BBC News. Cinderella Story 4 – Wenn Der Schuh Passt … Solaris ocean was created with acetone, aluminium powder, and dyes. Both surviving crew members, Snow and Dr. Archived from the original on May 22, Hidden categories: Webarchive template webcite links Use mdy dates from April Template film date with 1 release date All articles with unsourced statements Articles Sissi 1955 unsourced statements from June Articles containing potentially dated statements from April All articles containing potentially dated statements Duration without hAudio microformat Articles with hAudio microformats Matilda Imdb infoboxes lacking a cover Album Solaris Movie lacking alt Monster for covers Wikipedia articles with GND identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with VIAF identifiers Wikipedia articles with WorldCat-VIAF identifiers. Nevertheless, Natalya Bondarchuk was ultimately cast as Hari. She is unaware of Abserviert she got there. Criterion Collection. Retrieved January 14,Solaris Movie Navigation menu Video
This Movie BROKE Me *self-isolating film nerd watches SOLARIS*
Ich meine, dass Sie den Fehler zulassen. Schreiben Sie mir in PM.
Ich entschuldige mich, aber meiner Meinung nach sind Sie nicht recht. Schreiben Sie mir in PM.