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Akira Kurosawa Leben & Werk
Akira Kurosawa war ein japanischer Filmregisseur. Mit einem Schaffenswerk von 30 Filmen über einen Zeitraum von 57 Jahren gilt er als einer der einflussreichsten Regisseure aller Zeiten. Akira Kurosawa (黒澤明,Moderne Schreibweise (新字体): 黒沢明 Kurosawa Akira, * März in Ōmori, Landkreis Ebara (später: Stadt Tokio, heute: Ōta). Die sieben Samurai – Wikipedia. Akira KUROSAWA. Japan. 18 Filme im Verleih. 29 Filme hat der Kaiser des japanischen Films seit realisiert. Immer wieder hat A.K. literarische Werke als. voetbalelftal.eu - Kaufen Sie Akira Kurosawa Meisterwerke günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. von Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Akira Kurosawa". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum. Der oscarprämierte Akira Kurosawa (–) gehört zu den weltweit einflussreichsten und wichtigsten Regisseuren des Jahrhunderts. Sein mit dem.
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Akira Kurosawa Filme und Serien
Durch die aufsteigende Popularität des Tonfilms wurde Heigo Anfang der er -Jahre arbeitslos und verfiel daraufhin in Monsieur Pierre Geht Online starke Depression, die in seinem Selbstmord ihren tragischen Höhepunkt fand. Im September und Oktober des Jahres reiste Kurosawa, wie schon für Kagemushain der Welt herum, um seinen Film nachträglich zu bewerben. Mein Jahr Das Kinderkarussell stand still. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Das originale Drehbuch musste mehrere Male umgeschrieben werden und wurde durch seine kontroversen Themen, sowie der Tatsache, dass der Protagonist eine Frau ist, von Kritikern seiner Zeit gespalten aufgenommen.Akira Kurosawa - Inhaltsverzeichnis
Kagemusha und Ran werden in der Regel zu Kurosawas bedeutendsten Werken gezählt. In dieser Zeit verband ihn mit seinem Bruder Heigo, der sich zunehmens von seiner Familie absonderte und eine erfolgreiche Karriere als Benshi im Stummfilm -Geschäft führte, ein enges Band der Verbundenheit. Die beiden gehören zu den erfolgreichsten Duos in der Filmgeschichte: Hier der Meisterregisseur und grosse Humanist, der unvergängliche Werke geschaffen hat und Vorbild w….
Ebenfalls an die Handlung angelehnt ist der Bollywood -Film Sholay. Kambei und Shichiroji betrachten die Szenerie; Kambei meint, dass auch die Schwertkrieger den Janina Agnes Schröder verloren und allein die Bauern gewonnen haben. Auch heutzutage inspirieren Kurosawas Produktionen etliche Filmemacher auf der ganzen Welt. Gabriele Junkers. In der Not entschliessen sich die Bauern, professionelle Schwertkämpfer anzuheuern. Akira Kurosawa. Schauspieler • Producer • Regisseur • Drehbuchautor • Cutter. Er ist einer der größten Regisseure der internationalen Filmgeschichte. Als er. Wes Andersons Hunde-Trickfilm "Isle of Dogs" ist ein herrlicher Film, wenn man keine Probleme damit hat, dass der Regisseur ein echter Kleptomane ist. Episches Kino der schönsten Art, eine Ode an die Natur und ans Leben in Verbundenheit mit ihr, gedreht von Akira Kurosawa, dem Altmeister des japanischen. Hier finden Sie alle News und Hintergrund-Informationen von ZEIT ONLINE zu Akira Kurosawa. akira kurosawa ran. Syeda Rizwana Hasan A. O filme estreou em 1 Jens Hilbert Vermögen janeiro derapidamente ultrapassando o sucesso de bilheteria de Yojimboe conseguindo resenhas positivas. Fusaye Ichikawa. Significantemente, pela primeira vez em mais de Casablanca Traunstein anos, Kurosawa, para esse projeto Das Nest pessoal, escreveu o roteiro sozinho. Favorite Filmmakers. Duke University Press. No Regrets for Our Youth. Melhor Diretor - Kagemusha. Akira Kurosawa Navigationsmenü
Der Japaner Akira…. Kurosawa Postal Stream sich hier erstmals der für seine späteren Werke charakteristischen Arbeitsmethode mit drei gleichzeitig laufenden Kameras. Paradoxerweise sorgte die Diskussionen zwischen beiden nicht für Zwiespalt, stattdessen verliebten Waldfrieden Leipzig sich ineinander und heirateten noch ein Jahr später, am Von Dierich Diederichsen Zwei arme Bauern helfen, eine Prinzessin durch feindliches Gebiet zu schleusen. Ard Jetzt Live war es sein erster Film mit Toshiro Mifune, mit dem er 16 seiner nachfolgenden 17 Filme Heiligtümer Des Todes Zeichen sollte.
Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Akira Kurosawa's work have you seen?
User Polls When 20 legendary directors talk about film-making Nominated for 1 Oscar. Known For. The Hidden Fortress Writer. Ran Writer. Kagemusha Writer.
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Be Like a Rose , in a critical and box-office flop. This success in turn led to a vogue in America and the West for Japanese movies throughout the s, replacing the enthusiasm for Italian neorealist cinema.
His career boosted by his sudden international fame, Kurosawa, now reunited with his original film studio, Toho which would go on to produce his next 11 films , set to work on his next project, Ikiru.
The movie stars Takashi Shimura as a cancer-ridden Tokyo bureaucrat, Watanabe, on a final quest for meaning before his death.
For the screenplay, Kurosawa brought in Hashimoto as well as writer Hideo Oguni, who would go on to co-write 12 Kurosawa films.
Despite the work's grim subject matter, the screenwriters took a satirical approach, which some have compared to the work of Brecht , to both the bureaucratic world of its hero and the U.
American pop songs figure prominently in the film. Because of this strategy, the filmmakers are usually credited with saving the picture from the kind of sentimentality common to dramas about characters with terminal illnesses.
Ikiru opened in October to rave reviews—it won Kurosawa his second Kinema Junpo "Best Film" award—and enormous box office success.
It remains the most acclaimed of all the artist's films set in the modern era. In December , Kurosawa took his Ikiru screenwriters, Shinobu Hashimoto and Hideo Oguni, for a forty-five-day secluded residence at an inn to create the screenplay for his next movie, Seven Samurai.
The ensemble work was Kurosawa's first proper samurai film , the genre for which he would become most famous. The simple story, about a poor farming village in Sengoku period Japan that hires a group of samurai to defend it against an impending attack by bandits, was given a full epic treatment, with a huge cast largely consisting of veterans of previous Kurosawa productions and meticulously detailed action, stretching out to almost three-and-a-half hours of screen time.
Three months were spent in pre-production and a month in rehearsals. Shooting took up days spread over almost a year, interrupted by production and financing troubles and Kurosawa's health problems.
The film finally opened in April , half a year behind its original release date and about three times over budget, making it at the time the most expensive Japanese film ever made.
However, by Hollywood standards, it was a quite modestly budgeted production, even for that time. The film received positive critical reaction and became a big hit, quickly making back the money invested in it and providing the studio with a product that they could, and did, market internationally—though with extensive edits.
Over time—and with the theatrical and home video releases of the uncut version—its reputation has steadily grown. It is now regarded by some commentators as the greatest Japanese film ever made, and in , a poll of Japanese film critics also voted it the best Japanese film ever made.
In , nuclear tests in the Pacific were causing radioactive rainstorms in Japan and one particular incident in March had exposed a Japanese fishing boat to nuclear fallout , with disastrous results.
It is in this anxious atmosphere that Kurosawa's next film, Record of a Living Being , was conceived.
The story concerned an elderly factory owner Toshiro Mifune so terrified of the prospect of a nuclear attack that he becomes determined to move his entire extended family both legal and extra-marital to what he imagines is the safety of a farm in Brazil.
Production went much more smoothly than the director's previous film, but a few days before shooting ended, Kurosawa's composer, collaborator and close friend Fumio Hayasaka died of tuberculosis at the age of The film's score was finished by Hayasaka's student, Masaru Sato , who would go on to score all of Kurosawa's next eight films.
Record of a Living Being opened in November to mixed reviews and muted audience reaction, becoming the first Kurosawa film to lose money during its original theatrical run.
Today, it is considered by many to be among the finest films dealing with the psychological effects of the global nuclear stalemate.
Kurosawa's next project, Throne of Blood , an adaptation of William Shakespeare 's Macbeth —set, like Seven Samurai , in the Sengoku Era—represented an ambitious transposition of the English work into a Japanese context.
Kurosawa instructed his leading actress, Isuzu Yamada , to regard the work as if it were a cinematic version of a Japanese rather than a European literary classic.
Given Kurosawa's appreciation of traditional Japanese stage acting, the acting of the players, particularly Yamada, draws heavily on the stylized techniques of the Noh theater.
It was filmed in and released in January to a slightly less negative domestic response than had been the case with the director's previous film.
Abroad, Throne of Blood , regardless of the liberties it takes with its source material, quickly earned a place among the most celebrated Shakespeare adaptations.
Another adaptation of a classic European theatrical work followed almost immediately, with production of The Lower Depths , based on a play by Maxim Gorky , taking place in May and June In contrast to the Shakespearean sweep of Throne of Blood , The Lower Depths was shot on only two confined sets, in order to emphasize the restricted nature of the characters' lives.
Though faithful to the play, this adaptation of Russian material to a completely Japanese setting—in this case, the late Edo period —unlike his earlier The Idiot , was regarded as artistically successful.
The film premiered in September , receiving a mixed response similar to that of Throne of Blood. However, some critics rank it among the director's most underrated works.
Kurosawa's three next movies after Seven Samurai had not managed to capture Japanese audiences in the way that that film had.
The mood of the director's work had been growing increasingly pessimistic and dark, with the possibility of redemption through personal responsibility now very much questioned, particularly in Throne of Blood and The Lower Depths.
He recognized this, and deliberately aimed for a more light-hearted and entertaining film for his next production, while switching to the new widescreen format that had been gaining popularity in Japan.
The resulting film, The Hidden Fortress , is an action-adventure comedy-drama about a medieval princess, her loyal general and two peasants who all need to travel through enemy lines in order to reach their home region.
Released in December , The Hidden Fortress became an enormous box office success in Japan and was warmly received by critics both in Japan and abroad.
Today, the film is considered one of Kurosawa's most lightweight efforts, though it remains popular, not least because it is one of several major influences on George Lucas 's space opera , Star Wars.
Starting with Rashomon , Kurosawa's productions had become increasingly large in scope and so had the director's budgets. Toho, concerned about this development, suggested that he might help finance his own works, therefore making the studio's potential losses smaller, while in turn allowing himself more artistic freedom as co-producer.
Kurosawa agreed, and the Kurosawa Production Company was established in April , with Toho as the majority shareholder.
Despite risking his own money, Kurosawa chose a story that was more directly critical of the Japanese business and political elites than any previous work.
The Bad Sleep Well , based on a script by Kurosawa's nephew Mike Inoue, is a revenge drama about a young man who is able to infiltrate the hierarchy of a corrupt Japanese company with the intention of exposing the men responsible for his father's death.
Its theme proved topical: while the film was in production, mass demonstrations were held against the new U. The film opened in September to positive critical reaction and modest box office success.
The minute opening sequence depicting a corporate wedding reception is widely regarded as one of Kurosawa's most skillfully executed set pieces, but the remainder of the film is often perceived as disappointing by comparison.
The movie has also been criticized for employing the conventional Kurosawan hero to combat a social evil that cannot be resolved through the actions of individuals, however courageous or cunning.
Yojimbo The Bodyguard , Kurosawa Production's second film, centers on a masterless samurai, Sanjuro, who strolls into a 19th-century town ruled by two opposing violent factions and provokes them into destroying each other.
The director used this work to play with many genre conventions, particularly the Western , while at the same time offering an unprecedentedly for the Japanese screen graphic portrayal of violence.
Some commentators have seen the Sanjuro character in this film as a fantasy figure who magically reverses the historical triumph of the corrupt merchant class over the samurai class.
Featuring Tatsuya Nakadai in his first major role in a Kurosawa movie, and with innovative photography by Kazuo Miyagawa who shot Rashomon and Takao Saito , the film premiered in April and was a critically and commercially successful venture, earning more than any previous Kurosawa film.
The movie and its blackly comic tone were also widely imitated abroad. Sergio Leone 's A Fistful of Dollars was a virtual unauthorized scene-by-scene remake with Toho filing a lawsuit on Kurosawa's behalf and prevailing.
Following the success of Yojimbo , Kurosawa found himself under pressure from Toho to create a sequel. Kurosawa turned to a script he had written before Yojimbo , reworking it to include the hero of his previous film.
It is lighter in tone and closer to a conventional period film than Yojimbo , though its story of a power struggle within a samurai clan is portrayed with strongly comic undertones.
The film opened on January 1, , quickly surpassing Yojimbo ' s box office success and garnering positive reviews. Kurosawa had meanwhile instructed Toho to purchase the film rights to King's Ransom , a novel about a kidnapping written by American author and screenwriter Evan Hunter , under his pseudonym of Ed McBain, as one of his 87th Precinct series of crime books.
The director intended to create a work condemning kidnapping, which he considered one of the very worst crimes. The suspense film, titled High and Low , was shot during the latter half of and released in March It broke Kurosawa's box office record the third film in a row to do so , became the highest grossing Japanese film of the year, and won glowing reviews.
However, his triumph was somewhat tarnished when, ironically, the film was blamed for a wave of kidnappings which occurred in Japan about this time he himself received kidnapping threats directed at his young daughter, Kazuko.
High and Low is considered by many commentators to be among the director's strongest works. Kurosawa quickly moved on to his next project, Red Beard.
A conceited and materialistic, foreign-trained young doctor, Yasumoto, is forced to become an intern at the clinic under the stern tutelage of Doctor Niide, known as "Akahige" "Red Beard" , played by Mifune.
Although he resists Red Beard initially, Yasumoto comes to admire his wisdom and courage, and to perceive the patients at the clinic, whom he at first despised, as worthy of compassion and dignity.
The shoot, the filmmaker's longest ever, lasted well over a year after five months of pre-production , and wrapped in spring , leaving the director, his crew and his actors exhausted.
Red Beard premiered in April , becoming the year's highest-grossing Japanese production and the third and last Kurosawa film to top the prestigious Kinema Jumpo yearly critics poll.
It remains one of Kurosawa's best-known and most-loved works in his native country. Outside Japan, critics have been much more divided.
Most commentators concede its technical merits and some praise it as among Kurosawa's best, while others insist that it lacks complexity and genuine narrative power, with still others claiming that it represents a retreat from the artist's previous commitment to social and political change.
The film marked something of an end of an era for its creator. The director himself recognized this at the time of its release, telling critic Donald Richie that a cycle of some kind had just come to an end and that his future films and production methods would be different.
Beginning in the late s, television began increasingly to dominate the leisure time of the formerly large and loyal Japanese cinema audience.
And as film company revenues dropped, so did their appetite for risk—particularly the risk represented by Kurosawa's costly production methods.
Red Beard also marked the midway point, chronologically, in the artist's career. During his previous twenty-nine years in the film industry which includes his five years as assistant director , he had directed twenty-three films, while during the remaining twenty-eight years, for many and complex reasons, he would complete only seven more.
Also, for reasons never adequately explained, Red Beard would be his final film starring Toshiro Mifune. Yu Fujiki, an actor who worked on The Lower Depths , observed, regarding the closeness of the two men on the set, "Mr.
Kurosawa's heart was in Mr. Mifune's body. When Kurosawa's exclusive contract with Toho came to an end in , the year-old director was seriously contemplating change.
Observing the troubled state of the domestic film industry, and having already received dozens of offers from abroad, the idea of working outside Japan appealed to him as never before.
For his first foreign project, Kurosawa chose a story based on a Life magazine article. The Embassy Pictures action thriller, to be filmed in English and called simply Runaway Train , would have been his first in color.
But the language barrier proved a major problem, and the English version of the screenplay was not even finished by the time filming was to begin in autumn The shoot, which required snow, was moved to autumn , then canceled in Almost two decades later, another foreign director working in Hollywood, Andrei Konchalovsky , finally made Runaway Train , though from a new script loosely based on Kurosawa's.
The director meanwhile had become involved in a much more ambitious Hollywood project. He spent several months working on the script with Ryuzo Kikushima and Hideo Oguni, but very soon the project began to unravel.
The director of the American sequences turned out not to be David Lean , as originally planned, but American Richard Fleischer. The budget was also cut, and the screen time allocated for the Japanese segment would now be no longer than 90 minutes—a major problem, considering that Kurosawa's script ran over four hours.
After numerous revisions with the direct involvement of Darryl Zanuck , a more or less finalized cut screenplay was agreed upon in May Shooting began in early December, but Kurosawa would last only a little over three weeks as director.
He struggled to work with an unfamiliar crew and the requirements of a Hollywood production, while his working methods puzzled his American producers, who ultimately concluded that the director must be mentally ill.
Kurosawa was examined at Kyoto University Hospital by a neuropsychologist, Dr. Murakami, whose diagnosis was forwarded to Darryl Zanuck and Richard Zanuck at Fox studios indicating a diagnosis of neurasthenia stating that, "He is suffering from disturbance of sleep, agitated with feelings of anxiety and in manic excitement caused by the above mentioned illness.
It is necessary for him to have rest and medical treatment for more than two months. He was ultimately replaced, for the film's Japanese sequences, with two directors, Kinji Fukasaku and Toshio Masuda.
He had spent years of his life on a logistically nightmarish project to which he ultimately did not contribute a foot of film shot by himself.
He had his name removed from the credits, though the script used for the Japanese half was still his and his co-writers'. He became estranged from his longtime collaborator, writer Ryuzo Kikushima, and never worked with him again.
The project had inadvertently exposed corruption in his own production company a situation reminiscent of his own movie, The Bad Sleep Well.
His very sanity had been called into question. Worst of all, the Japanese film industry—and perhaps the man himself—began to suspect that he would never make another film.
Knowing that his reputation was at stake following the much publicised Tora! To his aid came friends and famed directors Keisuke Kinoshita , Masaki Kobayashi and Kon Ichikawa, who together with Kurosawa established in July a production company called the Club of the Four Knights Yonki no kai.
Although the plan was for the four directors to create a film each, it has been suggested that the real motivation for the other three directors was to make it easier for Kurosawa to successfully complete a film, and therefore find his way back into the business.
The film was shot quickly by Kurosawa's standards in about nine weeks, with Kurosawa determined to show he was still capable of working quickly and efficiently within a limited budget.
For his first work in color, the dynamic editing and complex compositions of his earlier pictures were set aside, with the artist focusing on the creation of a bold, almost surreal palette of primary colors, in order to reveal the toxic environment in which the characters live.
It was released in Japan in October , but though a minor critical success, it was greeted with audience indifference.
The picture lost money and caused the Club of the Four Knights to dissolve. Initial reception abroad was somewhat more favorable, but Dodesukaden has since been typically considered an interesting experiment not comparable to the director's best work.
Unable to secure funding for further work and allegedly suffering from health problems, Kurosawa apparently reached the breaking point: on December 22, , he slit his wrists and throat multiple times.
The suicide attempt proved unsuccessful and the director's health recovered fairly quickly, with Kurosawa now taking refuge in domestic life, uncertain if he would ever direct another film.
In early , the Soviet studio Mosfilm approached the filmmaker to ask if he would be interested in working with them. Kurosawa proposed an adaptation of Russian explorer Vladimir Arsenyev 's autobiographical work Dersu Uzala.
The book, about a Goldi hunter who lives in harmony with nature until destroyed by encroaching civilization, was one that he had wanted to make since the s.
In December , the year-old Kurosawa set off for the Soviet Union with four of his closest aides, beginning a year-and-a-half stay in the country.
Shooting began in May in Siberia, with filming in exceedingly harsh natural conditions proving very difficult and demanding. The picture wrapped in April , with a thoroughly exhausted and homesick Kurosawa returning to Japan and his family in June.
Dersu Uzala had its world premiere in Japan on August 2, , and did well at the box office. Today, critics remain divided over the film: some see it as an example of Kurosawa's alleged artistic decline, while others count it among his finest works.
Although proposals for television projects were submitted to him, he had no interest in working outside the film world. Nevertheless, the hard-drinking director did agree to appear in a series of television ads for Suntory whiskey, which aired in While fearing that he might never be able to make another film, the director nevertheless continued working on various projects, writing scripts and creating detailed illustrations, intending to leave behind a visual record of his plans in case he would never be able to film his stories.
Lucas, like many other New Hollywood directors, revered Kurosawa and considered him a role model, and was shocked to discover that the Japanese filmmaker was unable to secure financing for any new work.
The two met in San Francisco in July to discuss the project Kurosawa considered most financially viable: Kagemusha , the epic story of a thief hired as the double of a medieval Japanese lord of a great clan.
Lucas, enthralled by the screenplay and Kurosawa's illustrations, leveraged his influence over 20th Century Fox to coerce the studio that had fired Kurosawa just ten years earlier to produce Kagemusha , then recruited fellow fan Francis Ford Coppola as co-producer.
Production began the following April, with Kurosawa in high spirits. Shooting lasted from June through March and was plagued with problems, not the least of which was the firing of the original lead actor, Shintaro Katsu —creator of the very popular Zatoichi character—due to an incident in which the actor insisted, against the director's wishes, on videotaping his own performance.
He was replaced by Tatsuya Nakadai, in his first of two consecutive leading roles in a Kurosawa movie. The film was completed only a few weeks behind schedule and opened in Tokyo in April It quickly became a massive hit in Japan.
The film was also a critical and box office success abroad, winning the coveted Palme d'Or at the Cannes Film Festival in May, though some critics, then and now, have faulted the film for its alleged coldness.
Kurosawa spent much of the rest of the year in Europe and America promoting Kagemusha , collecting awards and accolades, and exhibiting as art the drawings he had made to serve as storyboards for the film.
The international success of Kagemusha allowed Kurosawa to proceed with his next project, Ran , another epic in a similar vein. As Japanese studios still felt wary about producing another film that would rank among the most expensive ever made in the country, international help was again needed.
Filming did not begin until December and lasted more than a year. She died on February 1. Kurosawa returned to finish his film and Ran premiered at the Tokyo Film Festival on 31 May, with a wide release the next day.
The film was a moderate financial success in Japan, but a larger one abroad and, as he had done with Kagemusha , Kurosawa embarked on a trip to Europe and America, where he attended the film's premieres in September and October.
Ran won several awards in Japan, but was not quite as honored there as many of the director's best films of the s and s had been. The film world was surprised, however, when Japan passed over the selection of Ran in favor of another film as its official entry to compete for an Oscar nomination in the Best Foreign Film category, which was ultimately rejected for competition at the 58th Academy Awards.
Both the producer and Kurosawa himself attributed the failure to even submit Ran for competition to a misunderstanding: because of the Academy's arcane rules, no one was sure whether Ran qualified as a Japanese film, a French film due to its financing , or both, so it was not submitted at all.
In response to what at least appeared to be a blatant snub by his own countrymen, the director Sidney Lumet led a successful campaign to have Kurosawa receive an Oscar nomination for Best Director that year Sydney Pollack ultimately won the award for directing Out of Africa.
Ran ' s costume designer, Emi Wada , won the movie's only Oscar. Kagemusha and Ran , particularly the latter, are often considered to be among Kurosawa's finest works.
After Ran ' s release, Kurosawa would point to it as his best film, a major change of attitude for the director who, when asked which of his works was his best, had always previously answered "my next one".
For his next movie, Kurosawa chose a subject very different from any that he had ever filmed before. While some of his previous pictures for example, Drunken Angel and Kagemusha had included brief dream sequences, Dreams was to be entirely based upon the director's own dreams.
Significantly, for the first time in over forty years, Kurosawa, for this deeply personal project, wrote the screenplay alone. Although its estimated budget was lower than the films immediately preceding it, Japanese studios were still unwilling to back one of his productions, so Kurosawa turned to another famous American fan, Steven Spielberg , who convinced Warner Bros.
This made it easier for Kurosawa's son, Hisao, as co-producer and soon-to-be head of Kurosawa Production, to negotiate a loan in Japan that would cover the film's production costs.
Shooting took more than eight months to complete, and Dreams premiered at Cannes in May to a polite but muted reception, similar to the reaction the picture would generate elsewhere in the world.
Kurosawa now turned to a more conventional story with Rhapsody in August —the director's first film fully produced in Japan since Dodeskaden over twenty years before—which explored the scars of the nuclear bombing which destroyed Nagasaki at the very end of World War II.
It was adapted from a Kiyoko Murata novel, but the film's references to the Nagasaki bombing came from the director rather than from the book.
This was his only movie to include a role for an American movie star: Richard Gere, who plays a small role as the nephew of the elderly heroine.
Kurosawa wasted no time moving onto his next project: Madadayo , or Not Yet. Based on autobiographical essays by Hyakken Uchida , the film follows the life of a Japanese professor of German through the Second World War and beyond.
This includes a complete list of films with which he was involved including the films on which he worked as assistant director before becoming a full director , as well as his little-known contributions to theater, television and literature.
A documentary film about the Noh theater, Gendai no No Modern Noh , which was begun by the director during a break in the shooting of Ran , but was abandoned after about fifty minutes were filmed, is being completed according to Kurosawa's script and notes.
Note: Data for the remainder of this filmography is derived primarily from the complete filmography created by Kurosawa's biographer, Stuart Galbraith IV, [3] supplemented by IMDb 's Kurosawa page.
In addition, Kurosawa received a production credit on one film that he himself did not direct: Haru no tawamure Spring Flirtation , written and directed by Kajiro Yamamoto, on which he served as an associate producer.
Kurosawa wrote or co-wrote the screenplays for all the films he himself directed. However, to supplement his income, he also wrote scripts for other Japanese directors throughout the s, and even through the s and part of the s, long after he had become world-famous.
He also worked on the scripts for two Hollywood productions he was slated to direct, but which, for complex reasons, were completed by and credited to other directors although he reportedly did shoot some scenes for Tora tora tora!
Finally, near the end of his life, he completed scripts he intended to direct but did not live to make, which were then filmed by others.
A table of all these screenplays is given below; all titles are Japanese productions unless otherwise noted. In addition, Kurosawa wrote the following unproduced scripts, composed during the pre-war period in the s and also the wartime period in the s, either when he was still an assistant director or had just graduated to full director.
Some of these won prizes in screenwriting contests, establishing his reputation as a promising talent even though they were never filmed.
Kurosawa edited all his own films, though he only occasionally took screen credit for it. There are, however, only a few instances in which he edited the work of others, as listed below.
During the mid-to-late s, for the first and apparently the only time in his career, Akira Kurosawa involved himself in a number of theater-related projects.
A documentary about horses called Song of the Horse or Uma no Uta , directed by Kurosawa, was broadcast in Japan, supposedly on August 31, Kurosawa otherwise totally avoided working in television.
Very little is known about the film, and its release date is even in question. For instance, though the film is often said to have aired in August , it is thought that the film features footage of events that did not take place until the summer of It was considered a lost film for decades and was not available on home video in any form.
Prior to writing the screenplay to his film, Stray Dog Nora Inu , , Kurosawa created, in about six weeks, a novel based on the same story presumably also called Stray Dog , which he never published.
It was written in the style of one of his favorite writers, the French crime author Georges Simenon. Writing it was supposed to help him compose the script as quickly as possible, but he found that writing the screenplay took even longer than usual because of the complex differences between literature and film.
In , inspired by the memoir of one of his heroes, Jean Renoir , he began to publish in serial form his autobiography, entitled Gama no abura An Oily Toad.
The book deals with the period from the director's birth to his winning the Golden Lion for Rashomon from the Venice Film Festival in ; the period from through is not covered.
The title of the book is a reference to a legend according to which, if one places a deformed toad in a box full of mirrors, it will become so afraid of its own reflection that it will begin to sweat, and this sweat allegedly had medicinal properties.
Ele se afastou de seu colaborador de longa data, o escritor Ryuzo Kikushima, e nunca mais trabalhou com ele outra vez.
Em sua ajuda vieram os amigos e diretores famosos Keisuke Kinoshita , Masaki Kobayashi e Kon Ichikawa , que juntos com Kurosawa fundaram em julho de uma companhia produtora chamada o Clube dos Quatro Cavaleiros Yonki no Kai.
Ela morreu em 1 de fevereiro. Significantemente, pela primeira vez em mais de quarenta anos, Kurosawa, para esse projeto profundamente pessoal, escreveu o roteiro sozinho.
Kurosawa, no entanto, continuou a trabalhar. Ele escreveu os roteiros originais de The Sea is Watching em e Ame agaru em Enquanto estava finalizando sua obra em , Kurosawa escorregou e quebrou a base de sua espinha.
Commons Wikiquote. Consultado em 19 de maio de The Films of Akira Kurosawa. The New York Times. Consultado em 19 de agosto de Filmes dirigidos por Akira Kurosawa.
Warner Bros. Howard Greene Harry M. A table of all these screenplays is given below; all titles are Japanese productions unless otherwise noted.
In addition, Kurosawa wrote the following unproduced scripts, composed during the pre-war period in the s and also the wartime period in the s, either when he was still an assistant director or had just graduated to full director.
Some of these won prizes in screenwriting contests, establishing his reputation as a promising talent even though they were never filmed.
Kurosawa edited all his own films, though he only occasionally took screen credit for it. There are, however, only a few instances in which he edited the work of others, as listed below.
During the mid-to-late s, for the first and apparently the only time in his career, Akira Kurosawa involved himself in a number of theater-related projects.
A documentary about horses called Song of the Horse or Uma no Uta , directed by Kurosawa, was broadcast in Japan, supposedly on August 31, Kurosawa otherwise totally avoided working in television.
Very little is known about the film, and its release date is even in question. For instance, though the film is often said to have aired in August , it is thought that the film features footage of events that did not take place until the summer of It was considered a lost film for decades and was not available on home video in any form.
Prior to writing the screenplay to his film, Stray Dog Nora Inu , , Kurosawa created, in about six weeks, a novel based on the same story presumably also called Stray Dog , which he never published.
It was written in the style of one of his favorite writers, the French crime author Georges Simenon. Writing it was supposed to help him compose the script as quickly as possible, but he found that writing the screenplay took even longer than usual because of the complex differences between literature and film.
In , inspired by the memoir of one of his heroes, Jean Renoir , he began to publish in serial form his autobiography, entitled Gama no abura An Oily Toad.
The book deals with the period from the director's birth to his winning the Golden Lion for Rashomon from the Venice Film Festival in ; the period from through is not covered.
The title of the book is a reference to a legend according to which, if one places a deformed toad in a box full of mirrors, it will become so afraid of its own reflection that it will begin to sweat, and this sweat allegedly had medicinal properties.
Kurosawa compared himself to the toad, nervous about having to contemplate, through the process of writing his life story, his own multiple "reflections.
The book's appearance coincided with the revival of interest in Kurosawa's work following the international release of Kagemusha.
It has not been translated into English, except for Chapter 3. This chapter consists of a selection of of the director's favorite films, listed in chronological order, with detailed commentaries on each film, all given at the request of Kurosawa's daughter, Kazuko.
Since he deliberately limits himself to one film per director, however, the list emerges as more of a "favorite directors" list than a "greatest films" list.
This chapter, but not the remainder of the book, can be found in English on the Internet. Complete Drawings with text in Japanese was published by Shogakukan in The screenplays of many of Kurosawa's films have been published in English.
Anaheim University in cooperation with the Kurosawa Family established the Anaheim University Akira Kurosawa School of Film [] to offer online and blended learning programs on Akira Kurosawa and filmmaking.
A significant number of full-length and short documentaries concerning the life and films of Kurosawa were made during his lifetime and after his death.
AK was filmed in and is a French documentary film directed by Chris Marker. Though it was filmed while Kurosawa was working on Ran , the film focuses more on Kurosawa's remote but polite personality than on the making of the film.
The documentary is sometimes seen as being reflective of Marker's fascination with Japanese culture , which he also drew on for one of his best-known films, Sans Soleil.
From Wikipedia, the free encyclopedia. For other uses, see Kurosawa disambiguation. Japanese film director and screenwriter. Akira Kurosawa on the set of Seven Samurai in December Shinagawa , Tokyo , Japan.
Setagaya , Tokyo, Japan. Film director screenwriter producer editor. Main article: List of creative works by Akira Kurosawa.
See also: Filmmaking technique of Akira Kurosawa. See also: Criticism of Akira Kurosawa. See also: Remakes of films by Akira Kurosawa.
See also: List of creative works by Akira Kurosawa. Main article: List of awards and honors given to Akira Kurosawa.
Apparently, he was commanded to make this film against his will by Toho studios, to which he was under contract at the time.
He claimed that his part of the film was shot in only a week. It was the only film he ever directed for which he did not receive sole credit as director, and the only one that has never been released on home video in any form.
The movie was later repudiated by Kurosawa and is often not counted with the 30 other films he made, though it is listed in some filmographies of the director.
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London: Palgrave Macmillan. Retrieved June 9, Film International. In addition to being a masterful precursor to the buddy cop movies and police procedurals popular today, Stray Dog is also a complex genre film that examines the plight of soldiers returning home to post-war Japan.
BFI Film Forever. British Film Institute. Retrieved April 16, Akira Kurosawa info. July 23, Retrieved June 12, Academy Award Acceptance Speech Database.
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University Press of Mississippi. Galbraith, Stuart, IV Faber and Faber, Inc. Goodwin, James Perspectives on Akira Kurosawa. Kurosawa, Akira Something Like an Autobiography.
Translated by Audie E. Vintage Books. Akira Kurosawa: Interviews. Kurosawa DVD. Mellen, Joan Nogami, Teruyo Waiting on the Weather.
Stone Bridge Press. Prince, Stephen Princeton University Press. Rashomon DVD. Ray, Satyajit Our Films Their Films. Orient Blackswan.
Richie, Donald University of California Press. A Hundred Years of Japanese Film. Kodansha International.
San Juan, Eric Akira Kurosawa: A Viewer's Guide. Yoshimoto, Mitsuhiro Kurosawa: Film Studies and Japanese Cinema. Akira Kurosawa. Akira Kurosawa 's Yojimbo Kaze no Yojimbo adaptation.
Awards for Akira Kurosawa. Asian of the Century The Big Five. Kao Mohandas K. Academy Honorary Award. Warner Bros. Ryder , Harry D. BFI Fellowship recipients.
Cecil B. Ramon Magsaysay Award recipients. Government Service — Yuan Longping. Deshmukh J. Raden Kodijat Ali Sadikin.
Mohamed Suffian Mohamed Hashim B. Akhtar Hameed Khan. Goh Keng Swee. Tee Tee Luce. Jassin Teten Masduki. Ruth Pfau. Kim Sun-tae Park Won-soon.
Community Leadership — Cynthia Maung. Fusaye Ichikawa. Sombath Somphone. Tunku Abdul Rahman. Mahabir Pun. Journalism, Literature, and the Creative Communication Arts — Matiur Rahman Abdullah Abu Sayeed.
Edward Michael Law-Yone. Wannakuwatta Amaradeva Tarzie Vittachi. Atmakusuma Astraatmadja Mochtar Lubis. Bharat Koirala. Zacarias Sarian F.
Prayoon Chanyavongs. Peace and International Understanding — Tang Xiyang. Ahmad Syafi'i Maarif. Sanduk Ruit. Ibn Abdur Rehman. Pomnyun Sunim. Genevieve Caulfield.
Emergent Leadership —. Ka Hsaw Wa. Chen Guangcheng. Oung Chanthol. Ambrosius Ruwindrijarto Dita Indah Sari. Benjamin Abadiano.
Aniceto Guterres Lopes. Chung To. Syeda Rizwana Hasan A. Noman Khan.
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